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Interrogates the way in which artistic works can challenge prejudice against stateless and dispossessed people Explores a range of artistic works, from adaptations of Greek tragedy to documentary dramas Offers an account of performance methods that have sought to challenge and criticise governmental and transnational failings

Produktbeschreibung
Interrogates the way in which artistic works can challenge prejudice against stateless and dispossessed people
Explores a range of artistic works, from adaptations of Greek tragedy to documentary dramas
Offers an account of performance methods that have sought to challenge and criticise governmental and transnational failings

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
S. E. Wilmer is Professor Emeritus in Drama and former Head of the School of Drama, Film and Music at Trinity College Dublin, Ireland. He has been Visiting Professor at Stanford University and UC Berkeley and Research Fellow at the International Research Centre for Interweaving Performance Cultures at the Freie Universität, Berlin. He is the author of Theatre, Society and the Nation.

Rezensionen
"An adept volume that makes a significant contribution to the rapidly expanding field of migrant and refugee theatre studies. In a way that will be welcome to theatre scholars and students alike, it offers readers the benefit of a long-range view of European performance as well as close insights into selected works at particular times and places. ... represents a unique and essential document for reflection on the imminent divergent trajectories of two old, powerful member states of ... the EU." (Emma Cox, Journal of Contemporary Drama in English, Vol. 8 (2), 2020)

"The book presents gems of close performance analysis: an invaluable addition to an archive of contemporary performance ... Performing Statelessness inEurope is essential reading material for all students and scholars of theatre who are deeply engaged with and disturbed by today's social and cultural practices of migration and nationalism." (Yana Meerzon, Modern Drama, Vol. 62 (2), 2019)