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Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that philosophy can outline the contours of dark specter of interdependence and that film can shine a light on its shadowy details, together revealing a horror of relations. The contributors interrogate the question of interdependence through analyses of contemporary film, giving voice to new perspectives on its meaning. Conceived before and written during the 2020 COVID-19 pandemic and through a period of deep social unrest, this volume reveals a reality both perennial and timely.…mehr
Why might interdependence, the idea that we are made up of our relations, be horrifying? Philosophy, Film, and the Dark Side of Interdependence argues that philosophy can outline the contours of dark specter of interdependence and that film can shine a light on its shadowy details, together revealing a horror of relations. The contributors interrogate the question of interdependence through analyses of contemporary film, giving voice to new perspectives on its meaning. Conceived before and written during the 2020 COVID-19 pandemic and through a period of deep social unrest, this volume reveals a reality both perennial and timely.
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Autorenporträt
Jonathan Beever is assistant professor of philosophy at the University of Central Florida and director of the UCF Center for Ethics.
Inhaltsangabe
Foreword: Fear of Film: Cinema and Affective Entanglements, Kendall Phillips Introduction: The Horror of Relations, Jonathan Beever Section 1: Familial Relations Chapter 1: Love and Horror: In Bong Joon-Ho's Mother and Lee Chang-Dong's Poetry, Eunah Lee Chapter 2: Predatory Masculinity and Domestic Violence in Charles Laughton's The Night of the Hunter, David Baumeister Chapter 3: "Will God Forgive Us?: Interdependence and Self-Transcendence in Paul Schrader's First Reformed", Vernon W. Cisney Section 2: Social-Political Relations Chapter 4: The Dark Night Of Ecological Despair: Awaiting Reconsecration in Paul Schrader's First Reformed, Chandler Rogers and Tober Corrigan Chapter 5: The Horror of Interdependence: Climate Migration Anxiety by the Radical Right in Pella Kågerman and Hugo Lilja's Aniara (2018) and Ari Aster's Midsommar (2019), Sydney Lane Chapter 6: Dissecting the Corrupted Body Politic: Fear, 'Body Horror' and the Failure of Relations, Josh Grant-Young Chapter 7: The Danger of Ecologi
Foreword: Fear of Film: Cinema and Affective Entanglements, Kendall Phillips Introduction: The Horror of Relations, Jonathan Beever Section 1: Familial Relations Chapter 1: Love and Horror: In Bong Joon-Ho's Mother and Lee Chang-Dong's Poetry, Eunah Lee Chapter 2: Predatory Masculinity and Domestic Violence in Charles Laughton's The Night of the Hunter, David Baumeister Chapter 3: "Will God Forgive Us?: Interdependence and Self-Transcendence in Paul Schrader's First Reformed", Vernon W. Cisney Section 2: Social-Political Relations Chapter 4: The Dark Night Of Ecological Despair: Awaiting Reconsecration in Paul Schrader's First Reformed, Chandler Rogers and Tober Corrigan Chapter 5: The Horror of Interdependence: Climate Migration Anxiety by the Radical Right in Pella Kågerman and Hugo Lilja's Aniara (2018) and Ari Aster's Midsommar (2019), Sydney Lane Chapter 6: Dissecting the Corrupted Body Politic: Fear, 'Body Horror' and the Failure of Relations, Josh Grant-Young Chapter 7: The Danger of Ecologi
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