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Portland, Oregon, is the whitest city in the U.S. per capita. There aren't many Black authors who have written about growing up in the area, so Zaji's memoir fills a significant market gap. | Zaji's childhood in a low-income, single-parent household isn't filled with trauma and loss; it's full of imagination and curiosity. | Zaji's story of being autistic will relate to others with neurodifferences. | The prose is poetic and concise, making for a fast but impactful read. | As we as a society have been grappling with a pandemic and massive losses, this book arrives as a balmsweet and…mehr
Portland, Oregon, is the whitest city in the U.S. per capita. There aren't many Black authors who have written about growing up in the area, so Zaji's memoir fills a significant market gap.
Zaji's childhood in a low-income, single-parent household isn't filled with trauma and loss; it's full of imagination and curiosity.
Zaji's story of being autistic will relate to others with neurodifferences.
The prose is poetic and concise, making for a fast but impactful read.
As we as a society have been grappling with a pandemic and massive losses, this book arrives as a balmsweet and satisfying, not terrible or scary.
Zaji has been involved with the Corporeal Writing group run by Lidia Yuknavitch and she has a lot of literary connections through Corporeal.
In addition to being a writer, Zaji is a dancer, a model, and an artist, qualities that shine through Plums for Months and make it a more visceral read.
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Autorenporträt
Zaji Cox wrote her first short story at age nine. A dancer, model, artist, and author, she has performed at the PDX Poetry Festival, Survival of the Feminist reading series, Corporeal Writing's LOOP, and the 50th annual Northwest Folklife Festival. She holds a bachelor's degree in English, and her writing can be found in Pathos Literary Magazine, Entropy magazine, The Portland Metrozine, Cultural Daily, CARE Covid Art REsource, and the anthology2020: The Year of the Asterisk (University of Hell Press).
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