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  • Format: ePub

In "Poems of Gerard Manley Hopkins," the author introduces readers to a revolutionary style of poetry marked by its innovative use of rhythm, sound, and imagery. Hopkins, a key figure in the 19th-century literary landscape, utilizes his unique 'sprung rhythm' to convey profound spirituality and nature's essence. Themes of faith, mortality, and beauty permeate these poems, showcasing an intricate relationship with God and the world. With a modernist touch ahead of his time, Hopkins' verse melds the emotional and the intellectual, inviting readers into a deeply personal yet universally resonant…mehr

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Produktbeschreibung
In "Poems of Gerard Manley Hopkins," the author introduces readers to a revolutionary style of poetry marked by its innovative use of rhythm, sound, and imagery. Hopkins, a key figure in the 19th-century literary landscape, utilizes his unique 'sprung rhythm' to convey profound spirituality and nature's essence. Themes of faith, mortality, and beauty permeate these poems, showcasing an intricate relationship with God and the world. With a modernist touch ahead of his time, Hopkins' verse melds the emotional and the intellectual, inviting readers into a deeply personal yet universally resonant exploration of human experience. Gerard Manley Hopkins, an English Jesuit priest, experienced a profound spiritual awakening that greatly influenced his literary output. His religious convictions and appreciation for nature stemmed from his formative years and educational endeavors at Oxford, where he initially struggled with the conflict between his artistic aspirations and spiritual commitments. Despite the obscurity of his work during his lifetime, Hopkins's poems eventually gained posthumous renown, solidifying his status as a precursor to modernist poetry. This collection is indispensable for readers seeking to understand the evolution of lyrical poetry. Hopkins' distinct voice and transformative approach offer an enriching experience, appealing to both literary enthusiasts and casual readers alike. Dive into this seminal text to witness how Hopkins' innovation reshaped poetry and continues to resonate in contemporary literary discourse. In this enriched edition, we have carefully created added value for your reading experience: - A comprehensive Introduction outlines these selected works' unifying features, themes, or stylistic evolutions. - The Author Biography highlights personal milestones and literary influences that shape the entire body of writing. - A Historical Context section situates the works in their broader era-social currents, cultural trends, and key events that underpin their creation. - A concise Synopsis (Selection) offers an accessible overview of the included texts, helping readers navigate plotlines and main ideas without revealing critical twists. - A unified Analysis examines recurring motifs and stylistic hallmarks across the collection, tying the stories together while spotlighting the different work's strengths. - Reflection questions inspire deeper contemplation of the author's overarching message, inviting readers to draw connections among different texts and relate them to modern contexts. - Lastly, our hand-picked Memorable Quotes distill pivotal lines and turning points, serving as touchstones for the collection's central themes.

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Autorenporträt
Gerard Manley Hopkins (1844-1889) was an English poet and Jesuit priest known for his innovative use of language and poetic form. He was educated at Balliol College, Oxford, where he discovered Catholicism, then joined the Jesuit order in 1868. He initially gave up poetry, believing it to be incompatible with his religious studies, but by writing "The Wreck of the Deutschland" in 1875, about the loss of five Franciscan nuns at sea, he was able to reconcile his poetic drive with his religious vocation. "Deutschland" marked his first use of "sprung rhythm," a unique poetic meter that mimics natural speech. In addition to divinity, his poetry often explored themes of nature, beauty, longing, and spiritual tension. His work went largely unpublished during his lifetime, but with the original publication of this volume by Robert Bridges in 1918, he was quickly acknowledged as a pivotal figure in Victorian poetry and a precursor to modernist literature.