Through a re-examination of the notions of democracy and emancipation, Senka Anastasova coins the term 'political narratosophy', a unique interpretation of the philosophy of narrative, identification, and disidentification, developed in conversation with philosophers Jacques Rancière, Nancy Fraser, and Paul Ricoeur. Utilizing the author's own identity as a feminist philosopher has lived in socialist Yugoslavia, post-Yugoslavia, and Macedonia (now North Macedonia), Anastasova explores the fluctuating and disappearing borders around which identity is situated in a country that no longer exists. She expertly reveals how the subject finds, makes and unmakes itself through narrativity, politics, and imagination.
Political Narratosophy is an important intervention in political philosophy and a welcome contribution to the historiography on female authors who lived through twentieth century communism and its aftermath. It will be of great interest to scholars and researchers in the fields of political theory, philosophy, women's studies, international relations, identity studies, (comparative) literary studies, and aesthetics studies.
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James Martel, Professor of Political Theory and Anarchist Politics, San Francisco State University
"How do we narrate identity, experience, and life in a world we are never sure is real? Whether grappling with epistemological concerns in post-structuralist aesthetic theory or political memory in post-socialist Macedonia, Senka Anastasova never flinches from the challenge of thinking through and beyond the challenges to narrativity."
Jodi Dean, author of Comrade: An Essay on Political Belonging
"Senka Anastasova's Political Narratosophy brilliantly explores the "transit zone" between the worlds of fiction and history, text and context, subject identification and disidentification. These transit zones are full of violence, relations of domination, and historical trauma, but also processes of resistance and emancipation. This book traces the fraught borderline between work and world in the writings of female authors living through the period of 20th century communism and its aftermath."
Cristian Sorace, Professor of Politics and International Studies, University of Cambridge