By formalising the term 'post-heritage' the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the 'society dramas' of Upstairs Downstairs and Downton Abbey, Steven Knight's Dickens adaptations, and Stephen Poliakoff's recent oeuvre, to demonstrate the benefits of evaluating period drama as part of twenty-first century television's developments. It challenges the assumptions around characteristics and ideological purpose that period drama discourse often contends with, and offers new perspectives on understanding the past through televisual representations.
This book will be important reading for students and scholars of television studies, film studies and cultural studies.
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This book will appeal to scholars of British television, adaptation, period dramas and broadcast TV, as well as to readers who simply enjoy televisual historical fiction of many hues. It is to be hoped that this book's thoughtful reappraisal and appreciation of the genre will rekindle and inspire wider interest into a form of television which remains popular, innovative and vibrant.'
Dr Sarah Cardwell, University of Kent, United Kingdom.