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  • Format: ePub

Explores one of the most prominent and debated trends within the horror genre
Offers the first in-depth study of one of the twenty-first-century horror genre's most important and divisive developments | Explores the shared aesthetics, themes, and reception of the post-horror corpus | Updates existing debates about horror cinema, artistic value, and cultural taste | Listen to David Church discuss his book on the Full Contact Nerd podcast
Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism
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Produktbeschreibung
Explores one of the most prominent and debated trends within the horror genre
  • Offers the first in-depth study of one of the twenty-first-century horror genre's most important and divisive developments
  • Explores the shared aesthetics, themes, and reception of the post-horror corpus
  • Updates existing debates about horror cinema, artistic value, and cultural taste
  • Listen to David Church discuss his book on the Full Contact Nerd podcast


Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed ''elevated horror'' and ''post-horror,'' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.

Case studies include:
  • It Follows
  • The Witch
  • The Babadook
  • Get Out
  • Hereditary
  • Midsommar
  • Goodnight Mommy
  • It Comes at Night
  • The Invitation
  • I Am the Pretty Thing that Lives in the House
  • mother!
  • A Dark Song
  • A Ghost Story

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Autorenporträt
David Church is a film and media scholar specializing in genre studies, taste cultures, and histories of film circulation. He is the author of Grindhouse Nostalgia: Memory, Home Video, and Exploitation Film Fandom (EUP, 2015), Disposable Passions: Vintage Pornography and the Material Legacies of Adult Cinema (Bloomsbury, 2016), and Mortal Kombat: Games of Death (University of Michigan Press, 2022).