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Fandom is generally viewed as an integral part of everyday life which impacts upon how we form emotional bonds with ourselves and others in a modern, mediated world. Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores this everyday occurence through close analysis of television fans to examine how they respond to, discuss, and work through their feelings when shows finish airing. Through a range of case studies, including The West Wing (NBC, 2000-2006), Lost (ABC 2004 -2010), Buffy the Vampire Slayer…mehr
Fandom is generally viewed as an integral part of everyday life which impacts upon how we form emotional bonds with ourselves and others in a modern, mediated world. Whilst it is inevitable for television series to draw to a close, the reactions of fans have rarely been considered. Williams explores this everyday occurence through close analysis of television fans to examine how they respond to, discuss, and work through their feelings when shows finish airing. Through a range of case studies, including The West Wing (NBC, 2000-2006), Lost (ABC 2004 -2010), Buffy the Vampire Slayer (1997-2003), Doctor Who (BBC 1963-1989; 2005-), The X-Files (FOX, 1993-2002), Firefly (FOX, 2002) and Sex and the City (HBO, 1998-2004), Williams considers how fans prepare for the final episodes of shows, how they talk about this experience with fellow fans, and how, through re-viewing, discussion and other fan practices, they seek to maintain their fandom after the show's cessation.
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Autorenporträt
Rebecca Williams is Senior Lecturer in Communication, Cultural and Media Studies at the University of South Wales. She has published on television fans and audiences in journals including Continuum, Popular Communication, Television & New Media, Popular Music & Society, and Participations and recently edited Torchwood Declassified: Investigating Mainstream Cult Television (2013).
Inhaltsangabe
Acknowledgements Chapter One Introduction: The beginning of the end Chapter Two Ontological security, self-identity and post-object fandom Chapter Three Departures, deaths and replacements: When characters leave Chapter Four 'The constant in my life': The reiteration discourse Chapter Five 'Turning off the life support': The rejection discourse Chapter Six Moving on?: The renegotiation discourse Chapter Seven 'Living in DVD-land': Post-object fandom, re-watching, and digital media Chapter Eight Continuing the Show: Interim fandom, resurrections, fan-created texts Chapter Nine Conclusion: Immortal fandom Index
Acknowledgements Chapter One Introduction: The beginning of the end Chapter Two Ontological security, self-identity and post-object fandom Chapter Three Departures, deaths and replacements: When characters leave Chapter Four 'The constant in my life': The reiteration discourse Chapter Five 'Turning off the life support': The rejection discourse Chapter Six Moving on?: The renegotiation discourse Chapter Seven 'Living in DVD-land': Post-object fandom, re-watching, and digital media Chapter Eight Continuing the Show: Interim fandom, resurrections, fan-created texts Chapter Nine Conclusion: Immortal fandom Index
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