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  • Format: ePub

Post-Scarcity Cinema: Writings on AI Film Theory (The New Machine Cinema, Vol. 2)
In 2025 Hooroo Jackson shattered precedent-again-by releasing A Very Long Carriage Ride , the first feature film ever launched in two completely different styles simultaneously, marking the first AI stop-motion animated feature film, and the first classic-style AI animated feature film ever made.
Post-Scarcity Cinema is the theoretical engine powering that leap. Picking up where the landmark volume The New Machine Cinema: Foundations in AI Film Theory left off, Jackson drills deeper into what filmmaking
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Post-Scarcity Cinema: Writings on AI Film Theory (The New Machine Cinema, Vol. 2)

In 2025 Hooroo Jackson shattered precedent-again-by releasing A Very Long Carriage Ride, the first feature film ever launched in two completely different styles simultaneously, marking the first AI stop-motion animated feature film, and the first classic-style AI animated feature film ever made.

Post-Scarcity Cinema is the theoretical engine powering that leap. Picking up where the landmark volume The New Machine Cinema: Foundations in AI Film Theory left off, Jackson drills deeper into what filmmaking looks like when budgets, crews, and old-guard gatekeepers no longer define what is possible.

Across nine razor-sharp essays he maps the horizons of a cinema unchained:

  1. Machine Pleasures
  2. The Pivot
  3. Post-Aesthetic Cinema
  4. Mechanica-Surrealism
  5. The AI Restoration of 'The Magnificent Ambersons'
  6. The Future Audience Will Be Machines
  7. Grotesque Pleasures
  8. One Film, Two Ways: Introducing 'A Very Long Carriage Ride'
  9. The Pinnacle Contact


Fusing practitioner grit with radical theory, Jackson argues that AI filmmaking is not a subgenre of cinema, it is a brand new artform surpassing the invention of the camera itself. Post-Scarcity Cinema is the field guide for directors, critics, and futurists ready to build where the old maps end.

🎬 ABOUT THE FILMMAKER

Hooroo Jackson is an American film director, screenwriter, editor, and film theorist responsible for multiple firsts in cinema history:

July '23: Window Seat, the first fully AI feature film in the history of cinema.

July '24: DreadClub: Vampire's Verdict, the first fully AI animated feature film and the first AI anime feature film.

December '24: The New Machine Cinema: Foundations in AI Film Theory.

May '25: A Very Long Carriage Ride, the first dual-release in cinema history; both the first AI stop motion animated feature film and the first AI classic animated feature film.

June '25: Post-Scarcity Cinema: Writings on AI Film Theory (The New Machine Cinema Volume 2)


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