Postnational Musical Identities (eBook, PDF)

Cultural Production, Distribution, and Consumption in a Globalized Scenario
Redaktion: Corona, Ignacio; Madrid, Alejandro L.

• Format: PDF

Produktbeschreibung

Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. "Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.

Produktdetails

• Verlag: Bloomsbury eBooks US
• Seitenzahl: 250
• Erscheinungstermin: 28. Dezember 2007
• Englisch
• ISBN-13: 9798216272977
• Artikelnr.: 75140872

Autorenporträt

Ignacio Corona is associate professor in the Departments of Spanish and Portuguese and Comparative Studies at Ohio State University. Alejandro L. Madrid is assistant professor in the Latin American and Latino studies program at the University of Illinois-Chicago.

Inhaltsangabe

Chapter 1 Preface
Part 2 Part I. Postnational Perspectives in Music Scholarship
Chapter 3 Chapter 1. Introduction: The Postnational Turn in Music
Scholarship and Music Marketing
Chapter 4 Chapter 2. Nationalist and Postnationalist Perspectives in
American Musicology
Chapter 5 Chapter 3. Productive Orientalisms: Imagining Noise and Silence
Across the Pacific, 1957-1967
Part 6 Part II. A Transnational Caribbean
Chapter 7 Chapter 4. The Miamization of Latin-American Pop Music
Chapter 8 Chapter 5. Nostalgia and the Negotiation of Dislocated
Identities: Puerto Rican Boleros in New York and Nuyorican Poetry
Part 9 Part III. Across the U.S.-Mexico Border
Chapter 10 Chapter 6. Ideology, Flux, and Identity in Tijuana's Nor-tec
Music
Chapter 11 Chapter 7. Quest for the Local: Building Musical Ties between
Mexico and the United States
Chapter 12 Chapter 8. Assimilation, Reclamation, and the Rejection of the
Nation-State Chicano Musicians
Chapter 13 Chapter 9. RockIn' la Frontera: Mexican Rock, Globalization, and
National Identity
Part 14 Part IV. South-American Connections
Chapter 15 Chapter 10. Before and After Samba: Modernity, Cosmopolitanism,
and Popular Music in Rio de Janeiro at the Beginning and End of the 20th
Century
Chapter 16 Chapter 11. The "Afro-Colombianization" of Hip-Hop and
Discourses on Authenticity
Chapter 17 Chapter 12. Transnational Soundscapes: Ambient Music and
Bossatrônica