Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust's novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust's juxtapositions of songs with meditations on the notion of "mauvaise musique" (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art.
According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche-especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust's novel as songs of farewell-noting that to sing farewell is a means to resist the very parting that is being expressed-and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.








