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Psychoanalysis offers many concepts that are extremely useful clinically but not always accessible in the original. In Psychoanalysis and Literature:The Stories We Live, Marilyn Charles pairs case vignettes with examples from literature to highlight the essential human struggles that play out in the consulting room. This pairing depathologizes those struggles and offers a conceptual framework that can help the clinician facilitate these journeys of discovery. Describing first how literature affords an opportunity for vicarious engagement with struggles endemic to the human condition, she then…mehr
Psychoanalysis offers many concepts that are extremely useful clinically but not always accessible in the original. In Psychoanalysis and Literature:The Stories We Live, Marilyn Charles pairs case vignettes with examples from literature to highlight the essential human struggles that play out in the consulting room. This pairing depathologizes those struggles and offers a conceptual framework that can help the clinician facilitate these journeys of discovery. Describing first how literature affords an opportunity for vicarious engagement with struggles endemic to the human condition, she then focuses on trauma, dreams, and 'cultural collisions'turning more explicitly to the developmental challenges of identity, relatedness, aging, and generativity. Psychoanalysis and Literature is accessible, relevant, and timely.
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Autorenporträt
Marilyn Charles
Inhaltsangabe
Part I: LITERATURE, PSYCHOANALYSIS, AND SENSORY EXPERIENCE Introduction Epiphany: The Poet's Art, The Analyst's Instrument: Formal Structure as a Vehicle for the Expression of Primary Experience: To the LighthouseThe Waves: Tensions between Creativity and Containment in the Life and Writings of Virginia WoolfPart II: TRAUMA Falling Man: Encounters with Catastrophic ChangeTelling Trauma: The Wind-Up Bird ChroniclePart III: DREAMS The Book of Intimate Grammar: Transgenerational TraumaDreamscapes: Rectangular Spaces in Memoirs of a Survivor and in DreamsPictures at an Exhibition: Reparation and Redemption, Nightmare and MemoryPart IV: CULTURAL COLLISIONS Collisions Between Conscious and Unconscious; East and West; Enigma and Transparency: Kafka on the ShoreCultural Chasms: Catastrophic Change and the Excluded Other: Mulberry and PeachPart V: THE HERO'S QUEST: IDENTITY AND RELATEDNESS The Labyrinth, Part I: The MagusJourneys into the Labyrinth, Part II: Through the Unknown, Remembered Gate: The Glass Bead GameStanding Outside the Gates: Pierre, or the AmbiguitiesIdentity Derailed: The Echo MakerPart VI: RELATEDNESS, AGING, AND GENERATIVITY Identity, Community, and Object Choice, Part I: Mrs. Dalloway and Mrs. Stevens Hears the Mermaids SingingIdentity, Community, and Object Choice, Part II: Possession16. Aging and Death: The Map and the Territory, The Sense of an Ending, and All Passion
Part I: LITERATURE, PSYCHOANALYSIS, AND SENSORY EXPERIENCE Introduction Epiphany: The Poet's Art, The Analyst's Instrument: Formal Structure as a Vehicle for the Expression of Primary Experience: To the LighthouseThe Waves: Tensions between Creativity and Containment in the Life and Writings of Virginia WoolfPart II: TRAUMA Falling Man: Encounters with Catastrophic ChangeTelling Trauma: The Wind-Up Bird ChroniclePart III: DREAMS The Book of Intimate Grammar: Transgenerational TraumaDreamscapes: Rectangular Spaces in Memoirs of a Survivor and in DreamsPictures at an Exhibition: Reparation and Redemption, Nightmare and MemoryPart IV: CULTURAL COLLISIONS Collisions Between Conscious and Unconscious; East and West; Enigma and Transparency: Kafka on the ShoreCultural Chasms: Catastrophic Change and the Excluded Other: Mulberry and PeachPart V: THE HERO'S QUEST: IDENTITY AND RELATEDNESS The Labyrinth, Part I: The MagusJourneys into the Labyrinth, Part II: Through the Unknown, Remembered Gate: The Glass Bead GameStanding Outside the Gates: Pierre, or the AmbiguitiesIdentity Derailed: The Echo MakerPart VI: RELATEDNESS, AGING, AND GENERATIVITY Identity, Community, and Object Choice, Part I: Mrs. Dalloway and Mrs. Stevens Hears the Mermaids SingingIdentity, Community, and Object Choice, Part II: Possession16. Aging and Death: The Map and the Territory, The Sense of an Ending, and All Passion
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