While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts - some of whom are also filmmakers - to reflect on Bergman's films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman's life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence.
Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
"Ingmar Bergman is acknowledged as one of the world's greatest film-makers. Vanessa Sinclair has assembled a wide-ranging and stimulating volume of essays by psychoanalysts, scholars and film-makers that for the first time focuses on ways in which psychoanalysis from Freud to Lacan and beyond can help illuminate Bergman's films. Life, death,identity, sexual and family relationships come under fascinating psychoanalytical scrutiny in discussions of Bergman's dreamlike art. This is a volume that will be essential reading for anyone seriously interested both in Bergman's films and in cinema's potential for the exploration of creativity, denial and desire."- Peter William Evans, Emeritus Professor of Film, Queen Mary University of London








