The book draws on queer theory to frame the experiences of queer female and genderqueer fans as experiences of queer time: as deviations from heteronormative life timelines, as anachronistic backward turns, and as queer melancholia. By exploring the "backward" feelings and experiences of fans, this book illustrates how the pain and abjection of the queer past are still with us in the present, challenging simplistic narratives of progress and highlighting the continuing marginalisation of the queer community onscreen and in the wider political context.
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