By viewing comedy as both a constitutive feature of social interaction and as a necessary requirement in the appraisal of what is often deemed to be 'politically correct', this book provides an innovative and multidisciplinary approach to the study of comedy and popular culture. In doing so, it engages with the social and cultural tensions inherent to our understandings of political correctness, arguing that comedy can subversively redefine our approach to 'PC Debates', contestations surrounding free speech and the popular portrayal of political correctness in the media and society. Aided by the work of both Slavoj Zizek and Alenka Zupancic, this unique analysis adopts a psychoanalytic/philosophical framework to explore issues of race, racism and political correctness in the widely acclaimed BBC 'mockumentary', The Office (UK), as well as a variety of television comedies.
Drawing from psychoanalysis, social psychology and philosophy, this book will be highly relevant for postgraduate students and academic researchers studying comedy, race/racism, multiculturalism, political correctness and television/film.
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"This book provides a much-needed corrective to the asinine managerialist mindset that promotes the politically correct banality of safe spaces over the unpredictable challenges of critical thinking. Jack Black expertly demonstrates how the path to true seriousness is strewn with jokes. He puts the open-minded reader genuinely concerned about racism on the psychoanalyst's couch and reveals the various ways in which comedy is a highly resilient antidote to dominant ideological stupidities. University apparatchiks will not like this book - which is why I cannot recommend it highly enough." - Paul Taylor, University of Leeds