Ratcatcher (eBook, ePUB) - Kuhn, Annette
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Lynne Ramsay's bleak yet beautifully photographed debut unflinchingly portrays life on a Glasgow housing estate during the 1973 refuse collectors' strike, as seen through the eyes of 12-year-old James Gillespie (William Eadie). After James's friend falls into a canal and drowns, James becomes increasingly withdrawn. As bags of rubbish pile up and rats move in, James finds solace in his friendships with Kenny, an odd boy who loves animals, and Margaret Anne, a teenage misfit. Annette Kuhn's study of the film, the first to offer an overarching account of Ramsay's work, considers the director's…mehr

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Produktbeschreibung
Lynne Ramsay's bleak yet beautifully photographed debut unflinchingly portrays life on a Glasgow housing estate during the 1973 refuse collectors' strike, as seen through the eyes of 12-year-old James Gillespie (William Eadie). After James's friend falls into a canal and drowns, James becomes increasingly withdrawn. As bags of rubbish pile up and rats move in, James finds solace in his friendships with Kenny, an odd boy who loves animals, and Margaret Anne, a teenage misfit. Annette Kuhn's study of the film, the first to offer an overarching account of Ramsay's work, considers the director's background and Ratcatcher alongside her earlier films. Kuhn traces the film's production history in the context of Scottish media and literary cultures, and its cinematic influences, while acknowledging the distinctiveness of Ramsay's poetic, visionary style. Kuhn draws on interviews with Ramsay and others involved in the film's production, and combines this with a close reading of selected passages to provide an in-depth and illuminating analysis of the film's poetic style and its aesthetics, including an examination of its construction of a child's world through a highly distinctive organisation of cinematic space.
Autorenporträt
Annette Kuhn is Professor of Film Studies, Queen Mary, University of London, UK. Her publications include An Everyday Magic (2002), Women's Pictures (1994) and The Power of the Image (1988). ANNETTE KUHN teaches film and television studies at the University of Glasgow, and has written widely on cultural theory, feminism and cinema, and film history. Her publications include The Power of the Image: Essays on Representation and Sexuality, Cinema, Censorship and Sexuality, 1909 to 1925, and, as editor, The Women's Companion to International Film.