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Providing a clear, systematic account of the evolution of Bellour''s thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.
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Providing a clear, systematic account of the evolution of Bellour''s thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.
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Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Erscheinungstermin: 14. März 2018
- Englisch
- ISBN-13: 9781474422918
- Artikelnr.: 54674264
- Verlag: Edinburgh University Press
- Erscheinungstermin: 14. März 2018
- Englisch
- ISBN-13: 9781474422918
- Artikelnr.: 54674264
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Hilary Radner is Emeritus Professor of Film and Media Studies at the University of Otago. She is the author of three monographs that form a trilogy addressing the formation of feminine identity at the end of the 20th century and the beginning of the 21st century: Shopping Around: Consumer Culture and the Pursuit of Pleasure (Routledge, 1995), Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture (Routledge, 2011), and The New Woman's Film: Femme-centric Movies for Smart Chicks (Routledge, 2017). Her publications also include six co-edited volumes, notably A Companion to Contemporary French Cinema (2015). Alistair Fox is Emeritus Professor at the University of Otago. He has published widely on topics in both literature and cinema, and most recently is the author of Jane Campion: Authorship and Personal Cinema (2011), Speaking Pictures: Neuropsychoanalysis and Authorship in Film and Literature (2016), and Coming of Age Cinema in New Zealand (EUP, 2017).
Acknowledgments
Preface
Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in
Film Theory from the Twentieth to the Twenty-first Century, by Hilary
Radner
PART ONE: Raymond Bellour: Cinema and the Moving Image, by Hilary Radner
Chapter One. Film Analysis: Image and Movement
Chapter Two. The Digital Challenge: From the Theater to the Gallery
Chapter Three. Cinema and the Body: The Ghost in the Theater
Chapter Four. An Elegy for Cinema
PART TWO: Bellour by Bellour: Selections from an Interview with Raymond
Bellour. Conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015.
Translated and Edited by Alistair Fox
Chapter Five. Formative Influences
Chapter Six. Film Analysis and the Symbolic
Chapter Seven. Thierry Kuntzel and the Rise of Video Art
Chapter Eight. Arrested Images and "the Between-Images"
Chapter Nine. Spectators, Dispositifs, and the Cinematic Body
Chapter Ten. Hypnosis, Emotions, and Animality
PART THREE: Biography and Publications of Raymond Bellour, by Alistair Fox
Raymond Bellour: A Biographical Sketch
A Select Annotated Bibliography of the Publications of Raymond Bellour
Select List of Sources Cited
Index
Preface
Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in
Film Theory from the Twentieth to the Twenty-first Century, by Hilary
Radner
PART ONE: Raymond Bellour: Cinema and the Moving Image, by Hilary Radner
Chapter One. Film Analysis: Image and Movement
Chapter Two. The Digital Challenge: From the Theater to the Gallery
Chapter Three. Cinema and the Body: The Ghost in the Theater
Chapter Four. An Elegy for Cinema
PART TWO: Bellour by Bellour: Selections from an Interview with Raymond
Bellour. Conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015.
Translated and Edited by Alistair Fox
Chapter Five. Formative Influences
Chapter Six. Film Analysis and the Symbolic
Chapter Seven. Thierry Kuntzel and the Rise of Video Art
Chapter Eight. Arrested Images and "the Between-Images"
Chapter Nine. Spectators, Dispositifs, and the Cinematic Body
Chapter Ten. Hypnosis, Emotions, and Animality
PART THREE: Biography and Publications of Raymond Bellour, by Alistair Fox
Raymond Bellour: A Biographical Sketch
A Select Annotated Bibliography of the Publications of Raymond Bellour
Select List of Sources Cited
Index
Acknowledgments
Preface
Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in
Film Theory from the Twentieth to the Twenty-first Century, by Hilary
Radner
PART ONE: Raymond Bellour: Cinema and the Moving Image, by Hilary Radner
Chapter One. Film Analysis: Image and Movement
Chapter Two. The Digital Challenge: From the Theater to the Gallery
Chapter Three. Cinema and the Body: The Ghost in the Theater
Chapter Four. An Elegy for Cinema
PART TWO: Bellour by Bellour: Selections from an Interview with Raymond
Bellour. Conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015.
Translated and Edited by Alistair Fox
Chapter Five. Formative Influences
Chapter Six. Film Analysis and the Symbolic
Chapter Seven. Thierry Kuntzel and the Rise of Video Art
Chapter Eight. Arrested Images and "the Between-Images"
Chapter Nine. Spectators, Dispositifs, and the Cinematic Body
Chapter Ten. Hypnosis, Emotions, and Animality
PART THREE: Biography and Publications of Raymond Bellour, by Alistair Fox
Raymond Bellour: A Biographical Sketch
A Select Annotated Bibliography of the Publications of Raymond Bellour
Select List of Sources Cited
Index
Preface
Introduction: Cinema and Its Discontents: The Place of Raymond Bellour in
Film Theory from the Twentieth to the Twenty-first Century, by Hilary
Radner
PART ONE: Raymond Bellour: Cinema and the Moving Image, by Hilary Radner
Chapter One. Film Analysis: Image and Movement
Chapter Two. The Digital Challenge: From the Theater to the Gallery
Chapter Three. Cinema and the Body: The Ghost in the Theater
Chapter Four. An Elegy for Cinema
PART TWO: Bellour by Bellour: Selections from an Interview with Raymond
Bellour. Conducted by Gabriel Bortzmeyer and Alice LeRoy in December 2015.
Translated and Edited by Alistair Fox
Chapter Five. Formative Influences
Chapter Six. Film Analysis and the Symbolic
Chapter Seven. Thierry Kuntzel and the Rise of Video Art
Chapter Eight. Arrested Images and "the Between-Images"
Chapter Nine. Spectators, Dispositifs, and the Cinematic Body
Chapter Ten. Hypnosis, Emotions, and Animality
PART THREE: Biography and Publications of Raymond Bellour, by Alistair Fox
Raymond Bellour: A Biographical Sketch
A Select Annotated Bibliography of the Publications of Raymond Bellour
Select List of Sources Cited
Index







