This interdisciplinary volume examines a practice that was common in the early modern north Alpine region, namely the making of new edition prints, and argues that it was a complex aesthetic strategy of creative appropriation. It focuses on the socioeconomic factors involved in the production and reception of print (re-)inventions and considers their relevance as a space of cultural articulation and a medium of artistic (self-)reflection.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.