This ambitious and exciting study addresses these questions, analysing the use of colour language in the work of Stefan George, Rainer Maria Rilke, Wassily Kandinsky and Else Lasker-Schüler to tease out how these poets understood poetic production, and how they negotiated the relations between poem, reader and world. Covering the poetry, prose, translation, literary and art criticism and theory of these and other writers central to European literature at the turn of the twentieth century, Reading Colour sheds new light on poetic practice of the period, but also uses colour to open up an understanding of how poetic language works, and to ask how we read poetry.
This book was the winner of the 2018 Early Career Researcher Prize in German Studies, a collaboration between the Institute for German Studies at the University of Birmingham and Peter Lang.
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«Rey Conquer colours the reading and writing of poetry with vivid specificity. Again and again the life of colour words in poems is shown to reveal not only how the visual fares in linguistic refraction, but also poetological truths concerning both modernism and the universal condition of poetic language.» (Michael Minden, Jesus College, Cambridge)
«Rey Conquer's Reading Colour is a unique and original study of the ways four of the twentieth-century's most gifted and influential German-speaking poets and artists (Stefan George, Rainer Maria Rilke, Wassily Kandinsky, and Else Lasker- Schüler) thought about - and through - colour in their verse. This lucid and persuasive monograph encourages us to rethink and reimagine (their) poetry in new and exciting ways.» (Nicholas Martin, Director of the Institute for German Studies, University of Birmingham)