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Red Aesthetics offers a new way to think about art and politics, focusing on the revolutionary work of Aleksandr Rodchenko, Bertolt Brecht, and Sergei Eisenstein between the wars. Todd Cronan shows how these three artists' photographs, dramas, films, and writings-centered on class conflict-differ from current left orthodoxies rooted in empathy. Writing against liberal pieties, Cronan contends, following Brecht, that empathy is not the solution to our problems, but more like the source of them.
Red Aesthetics offers a new way to think about art and politics, focusing on the revolutionary work of Aleksandr Rodchenko, Bertolt Brecht, and Sergei Eisenstein between the wars. Todd Cronan shows how these three artists' photographs, dramas, films, and writings-centered on class conflict-differ from current left orthodoxies rooted in empathy. Writing against liberal pieties, Cronan contends, following Brecht, that empathy is not the solution to our problems, but more like the source of them.
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Autorenporträt
Todd Cronan is associate professor of Art History at Emory University.
Inhaltsangabe
Introduction: An Exact Picture of the World Chapter 1: The Great Production: Rodchenko/Brecht/Eisenstein with and against Adorno and Barthes Chapter 2: Rodchenko's Photographic Communism Chapter 3: Art and Political Consequence: Brecht's Critique of Affect Chapter 4: Seeing Differently and Seeing Correctly: Brecht on Artistic and Political Abstraction Chapter 5: Class into Race: Brecht, Adorno, and the Problem of State Capitalism Chapter 6: Relentlessness: Eisenstein's Automatic Writing
Introduction: An Exact Picture of the World Chapter 1: The Great Production: Rodchenko/Brecht/Eisenstein with and against Adorno and Barthes Chapter 2: Rodchenko's Photographic Communism Chapter 3: Art and Political Consequence: Brecht's Critique of Affect Chapter 4: Seeing Differently and Seeing Correctly: Brecht on Artistic and Political Abstraction Chapter 5: Class into Race: Brecht, Adorno, and the Problem of State Capitalism Chapter 6: Relentlessness: Eisenstein's Automatic Writing
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