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  • Format: ePub

'Should I Should I keep going?' Meet Lauren: a journalist reporting on a high-profile domestic violence case with a growing sense of unease. Now meet Luke, whom Lauren has asked to tell her story. Lauren's been thinking about a series of sexual events from her adolescence, and something has started to crack. Are these experiences just part of being a woman, or are they trauma? And does Luke have what it takes to help her understand her own life? Powerful and provocative, Red Like Fruit interrogates the role and impact of men's voices in women's stories and delves into the many contradictions…mehr

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Produktbeschreibung
'Should I Should I keep going?' Meet Lauren: a journalist reporting on a high-profile domestic violence case with a growing sense of unease. Now meet Luke, whom Lauren has asked to tell her story. Lauren's been thinking about a series of sexual events from her adolescence, and something has started to crack. Are these experiences just part of being a woman, or are they trauma? And does Luke have what it takes to help her understand her own life? Powerful and provocative, Red Like Fruit interrogates the role and impact of men's voices in women's stories and delves into the many contradictions and complexities of consent, complicity, patriarchy and memory in the post-#MeToo era. Hannah Moscovitch's play was premiered by 2b theatre company in Halifax, Canada, in 2024, and was a finalist for the 2025 Susan Smith Blackburn Prize. It transferred to the Traverse Theatre for the 2025 Edinburgh Festival Fringe, where it won a coveted Fringe First Award.

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Autorenporträt
Hannah Moscovitch is an acclaimed Canadian playwright, TV writer, and librettist whose work has been widely produced in Canada and around the world. Her plays include: Red Like Fruit (Halifax, Nova Scotia, 2024; Toronto & Edinburgh, 2025); The Children's Republic; Sexual Misconduct of the Middle Classes and Old Stock: A Refugee Love Story (co-created with Christian Barry and Ben Caplan). She has been the recipient of numerous awards, including the Trillium Book Award, the Nova Scotia Masterworks Arts Award, the Scotsman Fringe First and the Herald Angel Awards at the Edinburgh Festival Fringe, and the prestigious Windham-Campbell Prize administered by Yale University. She has been nominated for the international Susan Smith Blackburn Prize, the Drama Desk Award, Canada's Siminovitch Prize in Theatre, and the Governor General's Literary Award. Author photo by Alejandro Santiago