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From Virginia Woolf to David Foster Wallace and beyond, 'redemptive hybridism' - a new way of reading texts full of possibility and genre blending - emerges as a key trajectory for post-postmodernity. Tasha Haines investigates what she calls 'redemptive hybridism' a tendency in post-postmodern writing characterized by possibility. She suggests that near the 21st century, postmodern élitisme gives way to a reparative blending of high-low forms and genre collaborations for challenging and extending the relationship between writer, written material, and reader. By combining an innovative literary…mehr
From Virginia Woolf to David Foster Wallace and beyond, 'redemptive hybridism' - a new way of reading texts full of possibility and genre blending - emerges as a key trajectory for post-postmodernity. Tasha Haines investigates what she calls 'redemptive hybridism' a tendency in post-postmodern writing characterized by possibility. She suggests that near the 21st century, postmodern élitisme gives way to a reparative blending of high-low forms and genre collaborations for challenging and extending the relationship between writer, written material, and reader. By combining an innovative literary investigation with creative and auto-theoretical strategies, Haines offers valuable new interpretations for texts of 'the modernisms continuum'. Her conversational survey moves among the hybridity of Virginia Woolf, the paratextuality of David Foster Wallace, with Nathalie Sarraute, Édouard Levé, Maggie Nelson and more. In reference to Deleuze and Guattari, Hassan, and others, writers are curated for their approach to form, method, and content, evoking and invoking textual hybridity. Haines articulates a new way of viewing works via comparisons and close-ups that exemplify the possibility and genre-blending that is Redemptive Hybridism in Post-Postmodern Writing.
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Autorenporträt
Tasha Haines is an artist and writer based in New Zealand. She has a PhD in literary theory and creative writing as well as an MFA and a BFA in photomontage, a diploma in tertiary teaching, and years of teaching experience. Haines has exhibited and published her hybrid work since late last century.
Inhaltsangabe
Preface Introduction: The Enemy Within Taking Enemies In This Multivariant Plot The Vitality of Difference A Lineage of Wariness and Influence The Terrible Postmodern Party Part I: Features of Redemptive Hybridism 1. The Redemptive Textual Body Etymologies Umbilical Connection Author to Text The Word Made Flesh 2. The Hybrid Middle Pushing out towards Ends Sarraute as Middle Parataxis and the Middle Time and Unfinishedness 3. Family Traits of Fragmentation The Fragmented Mind Constraint Minimalism and the Caveat Vestibule and Fringe Ethics Alterity and the Reader The Ethical The Moral and the Difference High Low High Low It's Off to Blend We Go Part II: Figures of Redemptive Hybridism 4. Woolf's Atom; The Image of Hybridity Begin with the Atom Virginia Woolf Saturation in Woolf and Wallace Mrs. Dalloway as Fertile Ground Inter-genre Woolf It Ends Where It Begins with the Atom 5. Finding a Name for Possibility Postmodernism Feminism and Agency Finding Names and Building Frames Call Me[a]taxy: Some Recent Pre-fixes 6. The Pale King's Constellation; Factoids Ghosts and Boredom Tell the Truth David Foster Wallace Everyday Ghosts Souls & Phantoms Ambiguity & Contradiction in The Pale King Boredom: Between Crisis & Epiphany A Conclusion of Sorts; This Is Not the End References Index
Preface Introduction: The Enemy Within Taking Enemies In This Multivariant Plot The Vitality of Difference A Lineage of Wariness and Influence The Terrible Postmodern Party Part I: Features of Redemptive Hybridism 1. The Redemptive Textual Body Etymologies Umbilical Connection Author to Text The Word Made Flesh 2. The Hybrid Middle Pushing out towards Ends Sarraute as Middle Parataxis and the Middle Time and Unfinishedness 3. Family Traits of Fragmentation The Fragmented Mind Constraint Minimalism and the Caveat Vestibule and Fringe Ethics Alterity and the Reader The Ethical The Moral and the Difference High Low High Low It's Off to Blend We Go Part II: Figures of Redemptive Hybridism 4. Woolf's Atom; The Image of Hybridity Begin with the Atom Virginia Woolf Saturation in Woolf and Wallace Mrs. Dalloway as Fertile Ground Inter-genre Woolf It Ends Where It Begins with the Atom 5. Finding a Name for Possibility Postmodernism Feminism and Agency Finding Names and Building Frames Call Me[a]taxy: Some Recent Pre-fixes 6. The Pale King's Constellation; Factoids Ghosts and Boredom Tell the Truth David Foster Wallace Everyday Ghosts Souls & Phantoms Ambiguity & Contradiction in The Pale King Boredom: Between Crisis & Epiphany A Conclusion of Sorts; This Is Not the End References Index
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