ReFocus: The Films of Susanne Bier (eBook, PDF)
Redaktion: Molloy, Missy; Shriver-Rice, Meryl; Nielsen, Mimi
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ReFocus: The Films of Susanne Bier (eBook, PDF)
Redaktion: Molloy, Missy; Shriver-Rice, Meryl; Nielsen, Mimi
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Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the volume''s contributors.
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Featuring essays from both recognized and up-and-coming scholars in Scandinavian, transnational and feminist film and media studies, this book also includes an original interview with Bier, addressing some of the provocative readings of her films advanced by the volume''s contributors.
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Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Erscheinungstermin: 13. April 2018
- Englisch
- ISBN-13: 9781474428743
- Artikelnr.: 72428892
- Verlag: Edinburgh University Press
- Erscheinungstermin: 13. April 2018
- Englisch
- ISBN-13: 9781474428743
- Artikelnr.: 72428892
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Missy Molloy is a Lecturer in the Film Programme at Victoria University of Wellington (New Zealand). Mimi Nielsen is a Ph. D. Candidate in Comparative Literature at the University of Washington, Seattle. Meryl Shriver-Rice is the Director of Environmental Media at the Abess Center for Ecosystem Science and Policy at the University of Miami, where she directs and teaches for the Abess Center's Master's in Environment, Culture, & Media.
Foreword Andrew Nestingen
Introduction Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice
PART 1: GENERIC & INDUSTRIAL FLUIDITY
1. Birger Langkjær - Storytelling Schemes, Realism, and Ambiguity: Susanne
Bier's Danish Dramas
2. Gunhild Agger - Negotiating Special Relationships: Susanne Bier's
Comedies
3. Missy Molloy - Susanne Bier's Hollywood Experiments: Things We Lost in
the Fire and Serena
PART II: NEGOTIATING IDENTITY
4. Maureen Turim - Beginning with Jewish Survival: Freud's Leaving Home
5. Anders Marklund - Stories with Queer Identities
6. Pétur Valsson - The Case of Lars von Trier vs. Susanne Bier
7. Mette Hjort - Gender Equity in Screen Culture: On Susanne Bier, the
Celluloid Ceiling, and the Growing Appeal of TV Production
PART III: AUTHORSHIP & AESTHETICS
8. Mimi Nielsen - Tracing Affect in Susanne Bier's Dramas
9. Danica Van De Velde - Vision and Ethics in A Second Chance (En chance
til)
10. Eva Novrup Redvall - The Truth is in the Eyes: Bringing Art Cinema
Glimpses to the High-end Television Drama Series The Night Manager
PART IV: TRANSNATIONAL REACH
11. Belinda Smaill - Cinema of the World and Women's Film Culture: Susanne
Bier's Transnational Cinema
12. Cath Moore - From Local to Global: The Bier-Jensen Screenwriting
Collaboration
13. Meryl Shriver-Rice - First World Guilt, Danish Privilege and
Responsibility in the Work of Susanne Bier
POSTSCRIPT: A CONVERSATION WITH SUSANNE BIER Interview with Susanne Bier
conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl
Shriver-Rice
Filmography
Introduction Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice
PART 1: GENERIC & INDUSTRIAL FLUIDITY
1. Birger Langkjær - Storytelling Schemes, Realism, and Ambiguity: Susanne
Bier's Danish Dramas
2. Gunhild Agger - Negotiating Special Relationships: Susanne Bier's
Comedies
3. Missy Molloy - Susanne Bier's Hollywood Experiments: Things We Lost in
the Fire and Serena
PART II: NEGOTIATING IDENTITY
4. Maureen Turim - Beginning with Jewish Survival: Freud's Leaving Home
5. Anders Marklund - Stories with Queer Identities
6. Pétur Valsson - The Case of Lars von Trier vs. Susanne Bier
7. Mette Hjort - Gender Equity in Screen Culture: On Susanne Bier, the
Celluloid Ceiling, and the Growing Appeal of TV Production
PART III: AUTHORSHIP & AESTHETICS
8. Mimi Nielsen - Tracing Affect in Susanne Bier's Dramas
9. Danica Van De Velde - Vision and Ethics in A Second Chance (En chance
til)
10. Eva Novrup Redvall - The Truth is in the Eyes: Bringing Art Cinema
Glimpses to the High-end Television Drama Series The Night Manager
PART IV: TRANSNATIONAL REACH
11. Belinda Smaill - Cinema of the World and Women's Film Culture: Susanne
Bier's Transnational Cinema
12. Cath Moore - From Local to Global: The Bier-Jensen Screenwriting
Collaboration
13. Meryl Shriver-Rice - First World Guilt, Danish Privilege and
Responsibility in the Work of Susanne Bier
POSTSCRIPT: A CONVERSATION WITH SUSANNE BIER Interview with Susanne Bier
conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl
Shriver-Rice
Filmography
Foreword Andrew Nestingen
Introduction Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice
PART 1: GENERIC & INDUSTRIAL FLUIDITY
1. Birger Langkjær - Storytelling Schemes, Realism, and Ambiguity: Susanne
Bier's Danish Dramas
2. Gunhild Agger - Negotiating Special Relationships: Susanne Bier's
Comedies
3. Missy Molloy - Susanne Bier's Hollywood Experiments: Things We Lost in
the Fire and Serena
PART II: NEGOTIATING IDENTITY
4. Maureen Turim - Beginning with Jewish Survival: Freud's Leaving Home
5. Anders Marklund - Stories with Queer Identities
6. Pétur Valsson - The Case of Lars von Trier vs. Susanne Bier
7. Mette Hjort - Gender Equity in Screen Culture: On Susanne Bier, the
Celluloid Ceiling, and the Growing Appeal of TV Production
PART III: AUTHORSHIP & AESTHETICS
8. Mimi Nielsen - Tracing Affect in Susanne Bier's Dramas
9. Danica Van De Velde - Vision and Ethics in A Second Chance (En chance
til)
10. Eva Novrup Redvall - The Truth is in the Eyes: Bringing Art Cinema
Glimpses to the High-end Television Drama Series The Night Manager
PART IV: TRANSNATIONAL REACH
11. Belinda Smaill - Cinema of the World and Women's Film Culture: Susanne
Bier's Transnational Cinema
12. Cath Moore - From Local to Global: The Bier-Jensen Screenwriting
Collaboration
13. Meryl Shriver-Rice - First World Guilt, Danish Privilege and
Responsibility in the Work of Susanne Bier
POSTSCRIPT: A CONVERSATION WITH SUSANNE BIER Interview with Susanne Bier
conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl
Shriver-Rice
Filmography
Introduction Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice
PART 1: GENERIC & INDUSTRIAL FLUIDITY
1. Birger Langkjær - Storytelling Schemes, Realism, and Ambiguity: Susanne
Bier's Danish Dramas
2. Gunhild Agger - Negotiating Special Relationships: Susanne Bier's
Comedies
3. Missy Molloy - Susanne Bier's Hollywood Experiments: Things We Lost in
the Fire and Serena
PART II: NEGOTIATING IDENTITY
4. Maureen Turim - Beginning with Jewish Survival: Freud's Leaving Home
5. Anders Marklund - Stories with Queer Identities
6. Pétur Valsson - The Case of Lars von Trier vs. Susanne Bier
7. Mette Hjort - Gender Equity in Screen Culture: On Susanne Bier, the
Celluloid Ceiling, and the Growing Appeal of TV Production
PART III: AUTHORSHIP & AESTHETICS
8. Mimi Nielsen - Tracing Affect in Susanne Bier's Dramas
9. Danica Van De Velde - Vision and Ethics in A Second Chance (En chance
til)
10. Eva Novrup Redvall - The Truth is in the Eyes: Bringing Art Cinema
Glimpses to the High-end Television Drama Series The Night Manager
PART IV: TRANSNATIONAL REACH
11. Belinda Smaill - Cinema of the World and Women's Film Culture: Susanne
Bier's Transnational Cinema
12. Cath Moore - From Local to Global: The Bier-Jensen Screenwriting
Collaboration
13. Meryl Shriver-Rice - First World Guilt, Danish Privilege and
Responsibility in the Work of Susanne Bier
POSTSCRIPT: A CONVERSATION WITH SUSANNE BIER Interview with Susanne Bier
conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl
Shriver-Rice
Filmography







