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With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle''s legacy as an innovator as much as a showman.
With an influence felt on directors like Joe Dante, Robert Zemeckis and John Waters, this volume reappraises Castle''s legacy as an innovator as much as a showman.
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Autorenporträt
Murray Leeder is Instructor in Film Studies at the University of Calgary.
Inhaltsangabe
Introduction: The Many Castles Section 1: The Early Castle Hugh S. Manon, "When Strangers Marry: Film Noir as Mediated Gothic" Zachary Rearick, "Gender in William Castle's Westerns" Section 2: The Gimmick Cycle Anthony Thomas McKenna, "He Earned Our Forgiveness: William Castle and American Movie Showmanship" Murray Leeder, "Collective Screams: William Castle and the Gimmick Film" Beth Kattelman, "Dying to See It: Death by Fright and William Castle's Macabre" Eliot Bessette, "How to View 13 Ghosts" Alexandra Heller-Nicholas, "The Face of Horror: Mr. Sardonicus and the Mask as Technological Interface" Section 3: Castle, Authorship and Genre Steffen Hantke, "A Sick Mind in Search of a Monstrous Body: William Castle and the Emergence of Psychological Horror in the 1960s" Michael Brodski and Caroline Langhorst, "'What a Wicked Game to Play?': Playfulness, Generic Hybridity, and Cult Appeal in Castle's 1960s Films" Michael Petitti, "Where Did Our Love Go?" The Case of William Castle's The Night Walker Section 4: Castle's Legacy Peter Marra, "Homo/cidal: William Castle's 1960s Killer Queers" Kate J. Russell, "The Cinematic Pandemonium of William Castle and John Waters"
Introduction: The Many Castles Section 1: The Early Castle Hugh S. Manon, "When Strangers Marry: Film Noir as Mediated Gothic" Zachary Rearick, "Gender in William Castle's Westerns" Section 2: The Gimmick Cycle Anthony Thomas McKenna, "He Earned Our Forgiveness: William Castle and American Movie Showmanship" Murray Leeder, "Collective Screams: William Castle and the Gimmick Film" Beth Kattelman, "Dying to See It: Death by Fright and William Castle's Macabre" Eliot Bessette, "How to View 13 Ghosts" Alexandra Heller-Nicholas, "The Face of Horror: Mr. Sardonicus and the Mask as Technological Interface" Section 3: Castle, Authorship and Genre Steffen Hantke, "A Sick Mind in Search of a Monstrous Body: William Castle and the Emergence of Psychological Horror in the 1960s" Michael Brodski and Caroline Langhorst, "'What a Wicked Game to Play?': Playfulness, Generic Hybridity, and Cult Appeal in Castle's 1960s Films" Michael Petitti, "Where Did Our Love Go?" The Case of William Castle's The Night Walker Section 4: Castle's Legacy Peter Marra, "Homo/cidal: William Castle's 1960s Killer Queers" Kate J. Russell, "The Cinematic Pandemonium of William Castle and John Waters"
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