Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama? Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media , however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts…mehr
Why were Hollywood producers eager to film on the other side of the Iron Curtain? How did Western computer games become popular in socialist Czechoslovakia's youth paramilitary clubs? What did Finnish commercial television hope to gain from broadcasting Soviet drama?
Cold War media cultures are typically remembered in terms of an East-West binary, emphasizing conflict and propaganda. Remapping Cold War Media, however, offers a different perspective on the period, illuminating the extensive connections between media industries and cultures in Europe's Cold War East and their counterparts in the West and Global South. These connections were forged by pragmatic, technological, economic, political, and aesthetic forces; they had multiple, at times conflicting, functions and meanings. And they helped shape the ways in which media circulates today-from film festivals, to satellite networks, to coproductions.
Considering film, literature, radio, photography, computer games, and television, Remapping Cold War Media offers a transnational history of postwar media that spans Eastern and Western Europe, the Nordic countries, Cuba, the United States, and beyond. Contributors draw on extensive archival research to reveal how media traveled across geopolitical boundaries; the processes of translation, interpretation, and reception on which these travels depended; and the significance of media form, content, industries, and infrastructures then and now.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
edited by Alice Lovejoy, Mari Pajala, with contributions by Katie Trumpener, Rosamund Johnston, Anu Koivunen, Masha Salazkina, Sonja Simonyi, Jaroslav velch, Marie Cronqvist, Elena Razlogova, Brangwen Stone, Marla Zubel, Laura Saarenmaa, Petr Szczepanik, Stefano Pisu, Christine Evans, Lars Lundgren
Inhaltsangabe
Acknowledgments Note on Translation and Transliteration 1. Introduction, by Alice Lovejoy and Mari Pajala Part I: Mobile Forms 2. Stalin Boulevard: Panoramic Vistas and Urban Planning in Eastern European Photobooks, by Katie Trumpener 3. The Peace Train: Anticosmopolitanism, Internationalism, and Jazz on Czechoslovak Radio during Stalinism, by Rosamund Johnston 4. Soviet Drama with Commercial Breaks: Living the Cold War in 1970s Finnish Television, by Anu Koivunen Part II: Distribution, Adaptation, Reception 5. Soviet Cinema in 1960s Cuba: Between Cold War Logics and Thirdworldist Affinities, by Masha Salazkina 6. From the Antechamber to the International Stage: Early-Career Directors from Hungary at the Mannheim Film Festival in the Late 1970s, by Sonja Simonyi 7. Manic Miners of the World, Unite! How the British Hit Computer Game Got a Second Life in Czechoslovakia, by Jaroslav velch 8. Between Scripts: Radio Berlin International (RBI) and Its Swedish Audience in November 1989, by Marie Cronqvist Part III: Translation 9. On Soviet Spoken Cinema, by Elena Razlogova 10. A GDR Writer in America: Christa Wolf's Visit to Oberlin and the Circulation of Her Writing as World Literature, by Brangwen Stone 11. Translating Cold War Internationalism: Allegoresis in Ryszard Kapusìcinìski's Literary Reportage, by Marla Zubel 12. Traveling with the President: Finnish-Soviet State Visits and 1970s Television Diplomacy, by Laura Saarenmaa Part IV: Infrastructure and Production 13. Hollywood Going East: State-Socialist Studios' Opportunistic Business with American Producers, by Petr Szczepanik 14. Envisioning the Revolutionary South: The Soviet-Italian Coproduction Life is Beautiful (1979), by Stefano Pisu 15. Dividing the Cosmos? INTELSAT, Intersputnik, and the Development of Transnational Satellite Communications Infrastructures during the Cold War, by Christine Evans and Lars Lundgren 16. Spy from the Cloud: From Big Brother to Big Data, by Anikó Imre Index
Acknowledgments Note on Translation and Transliteration 1. Introduction, by Alice Lovejoy and Mari Pajala Part I: Mobile Forms 2. Stalin Boulevard: Panoramic Vistas and Urban Planning in Eastern European Photobooks, by Katie Trumpener 3. The Peace Train: Anticosmopolitanism, Internationalism, and Jazz on Czechoslovak Radio during Stalinism, by Rosamund Johnston 4. Soviet Drama with Commercial Breaks: Living the Cold War in 1970s Finnish Television, by Anu Koivunen Part II: Distribution, Adaptation, Reception 5. Soviet Cinema in 1960s Cuba: Between Cold War Logics and Thirdworldist Affinities, by Masha Salazkina 6. From the Antechamber to the International Stage: Early-Career Directors from Hungary at the Mannheim Film Festival in the Late 1970s, by Sonja Simonyi 7. Manic Miners of the World, Unite! How the British Hit Computer Game Got a Second Life in Czechoslovakia, by Jaroslav velch 8. Between Scripts: Radio Berlin International (RBI) and Its Swedish Audience in November 1989, by Marie Cronqvist Part III: Translation 9. On Soviet Spoken Cinema, by Elena Razlogova 10. A GDR Writer in America: Christa Wolf's Visit to Oberlin and the Circulation of Her Writing as World Literature, by Brangwen Stone 11. Translating Cold War Internationalism: Allegoresis in Ryszard Kapusìcinìski's Literary Reportage, by Marla Zubel 12. Traveling with the President: Finnish-Soviet State Visits and 1970s Television Diplomacy, by Laura Saarenmaa Part IV: Infrastructure and Production 13. Hollywood Going East: State-Socialist Studios' Opportunistic Business with American Producers, by Petr Szczepanik 14. Envisioning the Revolutionary South: The Soviet-Italian Coproduction Life is Beautiful (1979), by Stefano Pisu 15. Dividing the Cosmos? INTELSAT, Intersputnik, and the Development of Transnational Satellite Communications Infrastructures during the Cold War, by Christine Evans and Lars Lundgren 16. Spy from the Cloud: From Big Brother to Big Data, by Anikó Imre Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826