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Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from "high art" as well as popular culture.…mehr

Produktbeschreibung
Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from "high art" as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.
Autorenporträt
Zoltán Somhegyi (b. 1981) is a Hungarian art historian with a PhD in aesthetics, currently based in Sharjah, United Arab Emirates and working as Chair of the Department of Fine Arts of the College of Fine Arts and Design of the University of Sharjah, and from September 2020 he will continue as Associate Professor of Art History at the Károli Gáspár University of the Reformed Church in Hungary.