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Revisioning War Trauma in Cinema: Uncoming Communities uses philosophy and critical theory to examine films that participate in debates concerning trauma and representation. This book reflects upon films that invent-rather than represent-the moment history breaks down. Jessica Datema and Manya Steinkoler propose a twenty-first-century way forward across problems of trauma, inheritance, and representation into exceptional communities of artistic invention.
Revisioning War Trauma in Cinema: Uncoming Communities uses philosophy and critical theory to examine films that participate in debates concerning trauma and representation. This book reflects upon films that invent-rather than represent-the moment history breaks down. Jessica Datema and Manya Steinkoler propose a twenty-first-century way forward across problems of trauma, inheritance, and representation into exceptional communities of artistic invention.
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Autorenporträt
Jessica Datema is associate professor of literature at Bergen Community College.
Inhaltsangabe
Acknowledgments Introduction: Cinema of the Unbecoming Chapter 1: Writing War Reporting Flesh Anonyma: A Woman in Berln Chapter 2: Belonging is Uncanny: Wakolda, or The German Doctor Chapter 3: Phoenix: The After-Death Chapter 4: Austrißized: Woman in Gold Chapter 5: Music as the Last Word: The Lives of Others Chapter 6: Hannah Arendt: Revisioning Pariahdom in Dark Times Chapter 7: Gasping for Death: László Nemes' Son of Saul Chapter 8: Coppola's Beguiled: A History Detox Conclusion Bibliography Index
Acknowledgments Introduction: Cinema of the Unbecoming Chapter 1: Writing War Reporting Flesh Anonyma: A Woman in Berln Chapter 2: Belonging is Uncanny: Wakolda, or The German Doctor Chapter 3: Phoenix: The After-Death Chapter 4: Austrißized: Woman in Gold Chapter 5: Music as the Last Word: The Lives of Others Chapter 6: Hannah Arendt: Revisioning Pariahdom in Dark Times Chapter 7: Gasping for Death: László Nemes' Son of Saul Chapter 8: Coppola's Beguiled: A History Detox Conclusion Bibliography Index
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