25,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
13 °P sammeln
  • Format: ePub

Centered around the relationship between art and political transformation. From Charlottë Bronte and Virginia Woolf, to Marlene van Niekerk and William Kentridge, artists and intellectuals have tried to address the question: How to deal with the legacy of exclusion and oppression? Via substantive works of art, this book examines some of the answers that have emerged to this question, to show how art can put into motion something new and how it can transform social and cultural relations in a sustainable way. In this way, art can function as an effective form of cultural critique. In the course…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 18.1MB
Produktbeschreibung
Centered around the relationship between art and political transformation. From Charlottë Bronte and Virginia Woolf, to Marlene van Niekerk and William Kentridge, artists and intellectuals have tried to address the question: How to deal with the legacy of exclusion and oppression? Via substantive works of art, this book examines some of the answers that have emerged to this question, to show how art can put into motion something new and how it can transform social and cultural relations in a sustainable way. In this way, art can function as an effective form of cultural critique. In the course of this book, a range of artworks are examined, through a postcolonial and feminist lens, in which revolt-both as a theme and as a medium-specific technique or/as critique -is made visible. Time and time again, revolt takes the form of a slow and thorough working through of the position of the individual in relation to her history and her contemporary geopolitical circumstances. It thus becomes evident that renewal and transformation in art and society are most successful when they proceed according to the method of self-reflexive cultural critique; when they do not present themselves as revolution, radical breaks with the past, but rather as processes of revolt in which knowledge of the past is investigated, complemented, corrected, and bent to a new collective will.
Autorenporträt
Rosemarie Buikema is Professor of Art, Culture and Diversity at Utrecht University. She chairs the UU Graduate Gender Programme (GGeP) and is the scientific director of the Netherlands Research School of Gender Studies (NOG). In that capacity, she also co-ordinates the UU share in the Erasmus Mundus Master in Gender Studies (GEMMA) and directs the annual international Summer School in Gender Studies: NOISE. She co-chairs the UU IOS Hub Gender and Diversity: Building an Inclusive Society and she is the initiator and project leader of MOED, Museum of Equality and Difference.

She is currently the principal investigator for the Horizon2020 Cultures of Equality Innovative Training Network project where she is responsible for the work package: Textual and Artistic Cultures of Gender Equality. She has extensive experience in supervising and directing large cultural and academic events and projects among others an EU FP6 Early Stage Research training programme which delivered 39 PHD's EU-wide.