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A pioneering work in cognitive versification studies, scrutinizing the rhythmical means of free verse. Investigating a previously neglected area of study, Rhythm in Modern Poetry establishes a foundation for cognitive versification studies with a focus on the modernist free verse. Following in the tradition of cognitive poetics by Reuven Tsur, Richard Cureton and Derek Attridge, every chapter investigates the rhythms of one modern poem, by Lawrence Ferlinghetti, Sylvia Plath and others, and engages each element in the broader interpretation of the poem in question. In her examination of…mehr
A pioneering work in cognitive versification studies, scrutinizing the rhythmical means of free verse. Investigating a previously neglected area of study, Rhythm in Modern Poetry establishes a foundation for cognitive versification studies with a focus on the modernist free verse. Following in the tradition of cognitive poetics by Reuven Tsur, Richard Cureton and Derek Attridge, every chapter investigates the rhythms of one modern poem, by Lawrence Ferlinghetti, Sylvia Plath and others, and engages each element in the broader interpretation of the poem in question. In her examination of modernist poetry in English and other Germanic languages, Eva Lilja expands her analysis to discuss both the Ancient Greek and Norse origins of rhythm in free verse and the intermedia intersection, comparing poetic rhythm with rhythm in pictures, sculptures and dance. Rhythm in Modern Poetry thus expands the field of cognitive versification studies while also engaging readers writ large interested in how rhythm works in the aesthetic field.
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Autorenporträt
Eva Lilja is Professor Emerita of Literature, specializing in Modernist poetry, in the Department of Literature, History of Ideas, and Religion at the University of Gothenburg, Sweden. She pioneered the study of free versification since her doctoral thesis in 1981 and was the founder and chair for the Nordic Society for Metrical Studies (1995-2009). Lilja was also a Swedish Academy Researcher for writing the official Swedish handbook in metrics (1998-2006).
Inhaltsangabe
List of Plates List of Figures Preface Foreword by Margaret H. Freeman Acknowledgements Introduction Part I: The Poetic Gestalt Introduction: Mousike 1. Verse Systems and Principles of Rhythm 2. The Rhythmic Gestalt 3. Rhythm and Significance 4. Temporal and Spatial Rhythms: The Intermedia Perspective 5. Cognitive Versification Theory: Some Aspects 6. Levels and Times Part II: Reading Free Verse Rhythms Introduction: How to Read Free Verse 7. Cognitive Economy 8. The Poem in the Body 9. Patterns of Culture 10. Direction 11. Balance in Versification 12. Rhythm in Modern Poetry Works Cited Index
List of Plates List of Figures Preface Foreword by Margaret H. Freeman Acknowledgements Introduction Part I: The Poetic Gestalt Introduction: Mousike 1. Verse Systems and Principles of Rhythm 2. The Rhythmic Gestalt 3. Rhythm and Significance 4. Temporal and Spatial Rhythms: The Intermedia Perspective 5. Cognitive Versification Theory: Some Aspects 6. Levels and Times Part II: Reading Free Verse Rhythms Introduction: How to Read Free Verse 7. Cognitive Economy 8. The Poem in the Body 9. Patterns of Culture 10. Direction 11. Balance in Versification 12. Rhythm in Modern Poetry Works Cited Index
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