Marc Chénetier's study, originally published in 1983, was the first book to attempt to assess Brautigan's writing art which, far from weakening over the years, had become, amid critical indifference, more secure in its techniques, more all-encompassing in its strategy and more iconoclastic in its goals. In analysing most of Brautigan's fictional works in the light of his poetics, it examines the mechanisms of his metafictional and deconstructive offensive and indicates the direction in which Brautigan was moving at the time.
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