66,95 €
66,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
33 °P sammeln
66,95 €
66,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
33 °P sammeln
Als Download kaufen
66,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
33 °P sammeln
Jetzt verschenken
66,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
33 °P sammeln
  • Format: PDF

Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poetics
Demonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subject | It analyses works by Romantic-era authors, including William Jones, Coleridge, Percy Bysshe Shelley, Lord Byron, Felicia Hemans, William Blake and Phillis Wheatley | Uses the concepts of "orientations" and "Orient" to provide fresh readings of British Romantic poetry
What happens when we redirect our lines of
…mehr

  • Geräte: PC
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 9.68MB
  • FamilySharing(5)
Produktbeschreibung
Confronts the racial and ethnic logics of the Oriental subject undergirding the development of Romantic poetics
  • Demonstrates how the construction of the modern lyric subject germinated during the Romantic period through the creation and invention of the "Oriental" subject
  • It analyses works by Romantic-era authors, including William Jones, Coleridge, Percy Bysshe Shelley, Lord Byron, Felicia Hemans, William Blake and Phillis Wheatley
  • Uses the concepts of "orientations" and "Orient" to provide fresh readings of British Romantic poetry


What happens when we redirect our lines of reading along new lines, borders, and orientations-those that fail to fit neatly into the cardinal directions of North, South, East, and West? What is, who stands for, and where exactly is the "Orient" in British Romantic poetry? To where does the "Orient" lead? Romanticism and the Poetics of Orientation responds by tracing shifting orientations-cultural, geographical, aesthetic, racial, and gendered- through Orientalist sites, subjects, and settings. Kim coins the term "poetics of orientation" to describe a poetics newly aware of cultural difference as a site of aesthetic contestation. She focuses on the contestation that occurs at the site of the lyric subject. A "poetics of orientation", rather than situating the lyric subject in assumed racial whiteness, repositions the lyric subject within discussions of Orientalism and racial formation, tracing the white supremacist logics that have for too long been dismissed as inessential or nonconsequential to Romantic studies.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Joey S. Kim (she/her) is Assistant Professor of English at the University of Toledo. She researches global Anglophone literature with a focus on 18th- and 19th-century poetics and aesthetics. She has published work in Essays in Romanticism, Keats-Shelley Journal, Keats-Shelley Review, Nineteenth-Century Gender Studies, American Periodicals, the LA Review of Books, and elsewhere. A poet as well as a literary critic, her award-winning first book of poems, Body Facts, was released in 2021.www.joeyskim.comTwitter: @joeykim