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Includes the plays The Robbers and Passion and Politics Two plays concerned with tyranny and freedom. Schiller's first play, The Robbers (1781), was written in great secrecy under the prison like conditions of Württenberg's Karlsschule: Karl, the son of a count, is disinherited through the machinations of his brother Franz, and, turning his back on a social order he finds unjust and corrupt, becomes the leader of a band of robbers. In Passion and Politics (1784), a 'bourgeoise tragedy', the love between Louise, a musician's daughter, and Ferdinand, a politician's son, crosses an unbridgeable…mehr
Includes the plays The Robbers and Passion and Politics Two plays concerned with tyranny and freedom. Schiller's first play, The Robbers (1781), was written in great secrecy under the prison like conditions of Württenberg's Karlsschule: Karl, the son of a count, is disinherited through the machinations of his brother Franz, and, turning his back on a social order he finds unjust and corrupt, becomes the leader of a band of robbers. In Passion and Politics (1784), a 'bourgeoise tragedy', the love between Louise, a musician's daughter, and Ferdinand, a politician's son, crosses an unbridgeable social divide. One of the great figures in German literature, Friedrich Schiller (1759-1805) was one of the most significant playwright of his day, numbering among his devotees Coleridge and Carlyle. His plays are known for their originality of form, vivid stage imagery and powerful language, faithfully rendered in Robert David MacDonald's acclaimed translations.
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Johann Christoph Friedrich von Schiller (1759-1805) ranks as one of the greatest figures in European drama and literature. That Verdi based four of his operas on Schiller's plays is not surprising (I masnadieri, Giovanna d'Arco, Luisa Miller, Don Carlos). Both men were deeply preoccupied with the battle for political freedon, projecting the moral victory of the doomed individual over the power of the immutable State as potent historical drama. Schiller's nobility of theatrical concept perfectly suited the energy and majesty of Verdi's scores. Yet in the English-speaking world Schiller's works are comparatively little known to theatregoers. The dedication of the renowned Glasgow-based Citizens' Company and the inspired decision to present the plays alongside Verdi's operas at the Edinburgh International Festival have gone a long way to remedy this neglect. The fifth play included in this edition was the source fro the opera by Donizetti (Maria Stuarda). Also translated for the Citizens' Company by Robert David MacDonald, Schiller's 'Mary Stuart' is acknowldged masterpiece.
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