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This volume brings together 19 original chapters, plus four substantive introductions, which collectively provide a unique examination of the issues of science, technology, and art in international relations. The overarching theme of the book links global politics with human interventions in the world: We cannot disconnect how humans act on the world through science, technology, and artistic endeavors from the engagements and practices that together constitute IR. There is science, technology, and even artistry in the conduct of war-and in the conduct of peace as well. Scholars and students of…mehr
This volume brings together 19 original chapters, plus four substantive introductions, which collectively provide a unique examination of the issues of science, technology, and art in international relations. The overarching theme of the book links global politics with human interventions in the world: We cannot disconnect how humans act on the world through science, technology, and artistic endeavors from the engagements and practices that together constitute IR. There is science, technology, and even artistry in the conduct of war-and in the conduct of peace as well. Scholars and students of international relations are beginning to explore these connections, and the authors of the chapters in this volume from around the world are at the forefront.
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Autorenporträt
J.P. Singh is Professor of International Commerce and Policy at Schar School of Policy and Government, George Mason University, USA. Madeline Carr is Associate Professor of International Relations and Cyber Security at University College London, UK. Renée Marlin-Bennett is Professor of Political Science at Johns Hopkins University, USA.
Inhaltsangabe
1. Science, Technology, and Art in International Relations: Origins and Prospects PART I: Foundations of STAIR Scholarship 2. A Role for Phenomenology in IR Scholarship 3. How to Discomfort a Worldview?: Social Sciences, Surveillance Technologies, and Defamiliarization 4. World-Viewing as World-Making: Feminist Technoscience, International Relations, and the Aesthetics of the Anthropocene 5. Emerging Science and Technologies: Diplomacy, Security, and Governance 6. Constructed 'Cyber' Realities & International Relations Theory 7. Constructing an Inventive Order of Rights: The Geopolitics of Island-Building in Transnational Waters 8. IR's Constitutive Absence and the Promise of STAIR PART II: Sites and Demonstrations in STAIR Scholarship 9. "The heart is a pump. Or is it?": The Politics of Biomedicine, the Objectivity of Science, and the Way We Know the World 10. Thinking through the Science, Technology, and Art of Medicine: An Agenda for International Relations 11. Oceanic Artscapes and International Relations 12. From the Globe to the Germ, and Back 13. Science in the International Political Economy 14. Creativity as a Worldview: Power in Collaborative Practices PART III: Reflexivity in STAIR: Social Context and Ethics for the Future 15. Reflexivity and Political Analysis: If Everything is Socially Constructed, How Can we Construct Theories? 16. Art and Agency: Alternative Spaces for Subaltern Voices 17. Cookbooks, Politics, and Culture 18. Human/Nonhuman Assemblages in STAIR: Understanding Distributed Agency in International Relations 19. Resistance to a Worldview
1. Science, Technology, and Art in International Relations: Origins and Prospects PART I: Foundations of STAIR Scholarship 2. A Role for Phenomenology in IR Scholarship 3. How to Discomfort a Worldview?: Social Sciences, Surveillance Technologies, and Defamiliarization 4. World-Viewing as World-Making: Feminist Technoscience, International Relations, and the Aesthetics of the Anthropocene 5. Emerging Science and Technologies: Diplomacy, Security, and Governance 6. Constructed 'Cyber' Realities & International Relations Theory 7. Constructing an Inventive Order of Rights: The Geopolitics of Island-Building in Transnational Waters 8. IR's Constitutive Absence and the Promise of STAIR PART II: Sites and Demonstrations in STAIR Scholarship 9. "The heart is a pump. Or is it?": The Politics of Biomedicine, the Objectivity of Science, and the Way We Know the World 10. Thinking through the Science, Technology, and Art of Medicine: An Agenda for International Relations 11. Oceanic Artscapes and International Relations 12. From the Globe to the Germ, and Back 13. Science in the International Political Economy 14. Creativity as a Worldview: Power in Collaborative Practices PART III: Reflexivity in STAIR: Social Context and Ethics for the Future 15. Reflexivity and Political Analysis: If Everything is Socially Constructed, How Can we Construct Theories? 16. Art and Agency: Alternative Spaces for Subaltern Voices 17. Cookbooks, Politics, and Culture 18. Human/Nonhuman Assemblages in STAIR: Understanding Distributed Agency in International Relations 19. Resistance to a Worldview
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