Naser Mojtahed

Second Takes: A Fresh Look at Classic World Cinema (eBook, ePUB)

Essays

• Format: ePub

Produktbeschreibung

Movie critic Naser Mojtahed invites readers on an inspiring journey into the world of film analysis

Second Takes samples a broad spectrum of movies from the "golden years" of filmmaking, highlighting outstanding artists who have created the hallmarks of the medium.

The book is a collection of fifty essays focusing exclusively on classic cinema, each exploring the themes, cultural contexts, and creative ideas that came together to deliver fascinating films-some of which have retained their original appeal for nearly one hundred years. Mojtahed employs traditional values in film criticism to create fresh takes on classics. Readers will discover how interactions of visual elements with components such as sound effects, music, color, dialogue, and editing create a dynamism that shapes our response to films.

Detailed examinations reveal how this synergy of diverse elements leads to a thematic cohesion, or a recurring motif, that audiences relate to both emotionally-and intellectually. While we can often explain the impact of mise-en-scène or camera movement, the unconscious emotional response to what we see on the screen guides our intellectual reading of a moment in movies.

Film aficionados will learn how to apply the essays' blending of theoretical concepts with practical guidelines to any film of interest. In additional to traditional classics, Second Takes also includes several important films that are overlooked or seldom discussed, and a list of "Suggested Further Reading" provides readers with a vast resource to expand their perspective on the art of cinema even further.

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Produktdetails

• Verlag: Rayford Publishing
• Seitenzahl: 360
• Erscheinungstermin: 20. März 2025
• Englisch
• ISBN-13: 9798992514513
• Artikelnr.: 74973729

Autorenporträt

Naser Mojtahed's passion for cinema began in high school. Though he followed family tradition by enrolling in medical school at Tehran University, as he expanded his exposure to cinema and its literature, he developed a deeper understanding of the medium. At the same time, he was engaged in translating movie reviews from English-language periodicals for various newspapers and magazines. Following the launch of the Tehran Film Festival, he was invited to contribute to film criticism, thereby establishing his voice in cinematic discourse.In 1988, he left his country to follow the practice of gastroenterology in the United States. Despite the heavy demands of the medical profession, his dedication to cinema never wavered. He continued watching films extensively, recording his thoughts while raising new questions with repeated viewings. Over time, these notes evolved into essays, ultimately forming the foundation of this book.