Written by authors from the fields of philosophy,composition, performance, and artistic practice, Sensorial Aesthetics in Music Practices repositions aesthetics as adomain of the sensible and explores the interaction between artists, life, andenvironment. Aesthetics becomes a field of sensorial and embodied experienceinvolving temporal and spatial influences, implicit knowledge, and humancharacteristics.
Contributors: Kathleen Coessens(Koninklijk Conservatorium Brussel, Orpheus Institute), Tim Ingold (University ofAberdeen), Michaël Levinas (Conservatoire National Supérieur de Musique deParis), Fabien Lévy (Hochschule für Musik Detmold), Lasse Thoresen (NorwegianAcademy of Music), Vanessa Tomlinson (Queensland Conservatorium of Music),Salomé Voegelin (University of the Arts London)
This publication is GPRC-labeled (GuaranteedPeer-Reviewed Content).
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