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Look it's two-two tweets that helped me vent my frustrations. It's really not that deep... Holed up in her bedroom, Cleo's aired twenty-two Whatsapps from Kara and has cut off contact with the rest of the world. It doesn't mean she's been silent though - she's got a lot to say. On the internet, actions don't always speak louder than words... seven methods of killing kylie jenner explores cultural appropriation, queerness, friendship and the ownership of black bodies online and IRL. Jasmine Lee-Jones's award-winning play premiered at London's Royal Court Theatre in 2019 and transferred to the Jerwood Theatre Downstairs in June 2021.…mehr
Look it's two-two tweets that helped me vent my frustrations. It's really not that deep... Holed up in her bedroom, Cleo's aired twenty-two Whatsapps from Kara and has cut off contact with the rest of the world. It doesn't mean she's been silent though - she's got a lot to say. On the internet, actions don't always speak louder than words... seven methods of killing kylie jenner explores cultural appropriation, queerness, friendship and the ownership of black bodies online and IRL. Jasmine Lee-Jones's award-winning play premiered at London's Royal Court Theatre in 2019 and transferred to the Jerwood Theatre Downstairs in June 2021.
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Autorenporträt
Jasmine Lee-Jones is a writer and performer. Jasmine was a writer-on-attachment for the 2016 Open Court Festival, and was further developed as a writer through the Royal Court's Young Court programme. Her first play seven methods of killing kylie jenner (2019) was first commissioned as part of The Andrea Project and opened at the Royal Court in July 2019. In 2023, she became the youngest ever recipient of a Windham-Campbell Prize.
Inhaltsangabe
CHRONOLOGY COMMENTARY Black British womxn's theatre Cultural appropriation and the Kardashian/Jenners Saartjie Baartman Colourism and Eurocentric beauty standards Critical reception Glitching and 'glitch feminism' The 'digital age' on stage PLAY TEXT NOTES TO THE TEXT
CHRONOLOGY COMMENTARY Black British womxn's theatre Cultural appropriation and the Kardashian/Jenners Saartjie Baartman Colourism and Eurocentric beauty standards Critical reception Glitching and 'glitch feminism' The 'digital age' on stage PLAY TEXT NOTES TO THE TEXT
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