63,95 €
63,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
32 °P sammeln
63,95 €
63,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
32 °P sammeln
Als Download kaufen
63,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
32 °P sammeln
Jetzt verschenken
63,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
32 °P sammeln
  • Format: ePub

American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics
Examining a
century of dance criticism in the United States and its influence on aesthetics
and inclusion
Dance criticism has long been
integral to dance as an art form, serving as documentation and validation of dance
performances, yet few studies have taken a close look at the impact of key critics
and approaches to criticism over time. The first book to examine dance
criticism in the United States across 100 years, from the late 1920s to the early
twenty-first century, Shaping
…mehr

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 1.45MB
Produktbeschreibung
American Society for Aesthetics Selma Jeanne Cohen Prize in Dance Aesthetics

Examining a century of dance criticism in the United States and its influence on aesthetics and inclusion





Dance criticism has long been integral to dance as an art form, serving as documentation and validation of dance performances, yet few studies have taken a close look at the impact of key critics and approaches to criticism over time. The first book to examine dance criticism in the United States across 100 years, from the late 1920s to the early twenty-first century, Shaping Dance Canons argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously.





Kate Mattingly likens the effect of dance writing to that of a flashlight, illuminating certain aesthetics at the expense of others. Mattingly shows how criticism can preserve and reproduce criteria for what qualifies as high art through generations of writers and in dance history courses, textbooks, and curricular design. She examines the gatekeeping role of prominent critics such as John Martin and Yvonne Rainer while highlighting the often-overlooked perspectives of writers from minoritized backgrounds and dance traditions. The book also includes an analysis of digital platforms and current dance projectsOn the Boards TV, thINKingDANCE, Black Dance Stories, and amara tabor-smith's House/Full of BlackWomenthat challenge systemic exclusions. In doing so, the book calls for ongoing dialogue and action to make dance criticism more equitable and inclusive.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.

Autorenporträt
Kate Mattingly is assistant professor of dance at Old Dominion University. She has written for the New York Times, the Village Voice, Dance Magazine, and Pointe Magazine, and she is associate editor of Dance Chronicle.