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His wife has a new car, a new man and a new baby. He knows he's not useful to a new underworld that relies too heavily on guns. He doesn't have a reason to live, but Noora is alive. And while she lives, he cannot bring himself to die. Between running errands for the Boss and drinking endless cups of Irani chai, he returns to Noora's grey eyes and frozen limbs. From the author ofLove Stories # 1 to 14, a tightly crafted tale that carries all the sadness of the evening's waning light.
His wife has a new car, a new man and a new baby. He knows he's not useful to a new underworld that relies too heavily on guns. He doesn't have a reason to live, but Noora is alive. And while she lives, he cannot bring himself to die. Between running errands for the Boss and drinking endless cups of Irani chai, he returns to Noora's grey eyes and frozen limbs. From the author ofLove Stories # 1 to 14, a tightly crafted tale that carries all the sadness of the evening's waning light.
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Autorenporträt
Annie Zaidi writes poetry, essays, fiction of varying lengths, and scripts for the stage and the screen. She is the author of Known Turf: Bantering with Bandits and Other True Tales, a collection of essays shortlisted for the Vodafone Crossword Book Award (non-fiction, 2011), and the co-author of The Bad Boy's Guide to the Good Indian Girl. A series of illustrated poems, Crush, was made in collaboration with artist Gynelle Alves. A collection of short stories Love Stories # 1 to 14 was published in 2012; and an e-single Sleep Tight in 2013. Her work has appeared in various anthologies, including Mumbai Noir; Women Changing India; India Shining, India Changing, and literary journals like Pratilipi, The Little Magazine, The Missing Slate and Out of Print. She currently lives in Mumbai.
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