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Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic…mehr
Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.
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Autorenporträt
Héctor Fernández L'Hoeste is professor in the Department of World Languages and Cultures at Georgia State University. Pablo Vila is professor of sociology at Temple University.
Inhaltsangabe
Contents Introduction Chapter One: The National Symbols of Costa Rica: A Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look at the History of Tango: The Intimate Connection of Rural and Urban Music in Argentina at the Beginning of the Twentieth Century Julia Chindemi and Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter Four: Music and Cartoons in Brazil: Complementarity in the Representation of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of Middle-Class Vallenato: The Recreation of the National in a Commodified Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests: "Bailando" and the Choreographing of Cuba's International Image Susan Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica Frances R. Aparicio About the Editors About the Contributors
Contents Introduction Chapter One: The National Symbols of Costa Rica: A Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look at the History of Tango: The Intimate Connection of Rural and Urban Music in Argentina at the Beginning of the Twentieth Century Julia Chindemi and Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter Four: Music and Cartoons in Brazil: Complementarity in the Representation of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of Middle-Class Vallenato: The Recreation of the National in a Commodified Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests: "Bailando" and the Choreographing of Cuba's International Image Susan Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica Frances R. Aparicio About the Editors About the Contributors
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