Sound, Image, and National Imaginary in the Construction of Latin/o American Identities (eBook, PDF)

Redaktion: L'Hoeste, Héctor Fernández; Vila, Pablo

• Format: PDF

Produktbeschreibung

Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.

Produktdetails

• Verlag: Bloomsbury eBooks US
• Seitenzahl: 1
• Erscheinungstermin: 26. Dezember 2017
• Englisch
• ISBN-13: 9798881884376
• Artikelnr.: 74851024

Autorenporträt

Héctor Fernández L'Hoeste is professor in the Department of World Languages and Cultures at Georgia State University. Pablo Vila is professor of sociology at Temple University.

Inhaltsangabe

Contents Introduction Chapter One: The National Symbols of Costa Rica: A
Decolonial Approach María Isabel Carvajal Araya Chapter Two: Another Look
at the History of Tango: The Intimate Connection of Rural and Urban Music
in Argentina at the Beginning of the Twentieth Century Julia Chindemi and
Pablo Vila Chapter Three: Nationalisms and Anti-indigenismos: Rudolph
Holzmann and His Contribution to a "Peruvian" Music Raúl R. Romero Chapter
Four: Music and Cartoons in Brazil: Complementarity in the Representation
of National Identity Waldomiro Vergueiro and Geisa Fernandes, translated by
Ricardo Nogueira Chapter Five: Divergent Imaginaries of the Nation in the
New Chilean Pop of the 1980s Juan Pablo González, translated by Peggy
Westwell and Pablo Vila Chapter Six: Cumbias of the Crisis: A Hauntology of
Modern Uruguay Matthew J. Van Hoose Chapter Seven: On the Rise of
Middle-Class Vallenato: The Recreation of the National in a Commodified
Musical Genre Héctor Fernández L'Hoeste Chapter Eight: Dancing Palimpsests:
"Bailando" and the Choreographing of Cuba's International Image Susan
Thomas Chapter Nine: Marc Anthony 3.0: Toward a Critical Salsa Romántica
Frances R. Aparicio About the Editors About the Contributors