From 1850 onwards war reportage - complemented and reinforced by a glut of campaign histories, memoirs, novels and films - helped create an imagined community in which sporting attributes and qualities were employed to give meaning and order to the chaos and misery of warfare. This work explores the evolution of the Victorian notion that playing-field and battlefield were connected and then moves on to investigate the challenges this belief faced in the twentieth century, as combat became, initially, industrialised in the age of total warfare and, subsequently, professionalised in the post-nuclear world. Such a longitudinal study allows, for the first time, new light to be shed on the continuities and shifts in the way the 'reality' of war was captured in the British popular imagination.
Drawing together the disparate fields of sport and warfare, this book serves as a vital point of reference for anyone with an interest in the cultural, social or military history of modern Britain.
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