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Stalinism in Kazakhstan: History, Memory, and Representation is a multi-disciplinary collection of essays from Central Asian authors. The volume is devoted to violence and socio-economic transformation during the Stalinist repressions in Kazakhstan and explores collective trauma, selective memory, and representations in contemporary art and literature.
Stalinism in Kazakhstan: History, Memory, and Representation is a multi-disciplinary collection of essays from Central Asian authors. The volume is devoted to violence and socio-economic transformation during the Stalinist repressions in Kazakhstan and explores collective trauma, selective memory, and representations in contemporary art and literature.
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Autorenporträt
Zhulduzbek Abylkhozhin is professor of history at Kazakh British Technical University and KIMEP University. Mikhail Akulov is assistant professor at Nazarbayev University. Alexandra Tsay is an independent scholar.
Inhaltsangabe
I History Chapter 1: Limited Welfare State: On Utopia and Terror in the Third Reich and the Soviet Union Chapter 2: Stalinist Anti-Peasant Repression Policy and its Implementation in Kazakhstan (Late 1920s-Early1930s) Chapter 3: An Episode in the History of the Academy of Sciences of the Kazakh SSR in the Early 1950s II Memory Chapter 4: Altynshash Chapter 5: The Winds of Time Dry Out the Grass of Oblivion Chapter 6: Between Oblivion and Remembrance III Representation Chapter 7: Reclaimed Names Chapter 8: "Our Camp Grew into a Busy City." The Art of Deportee Artists in Karaganda (late 1930s-early 1960s) Chapter 9: The Endless Time After: Art as a Medium for Understanding Cultural Memory and Trauma in Post-soviet Kazakhstan
I History Chapter 1: Limited Welfare State: On Utopia and Terror in the Third Reich and the Soviet Union Chapter 2: Stalinist Anti-Peasant Repression Policy and its Implementation in Kazakhstan (Late 1920s-Early1930s) Chapter 3: An Episode in the History of the Academy of Sciences of the Kazakh SSR in the Early 1950s II Memory Chapter 4: Altynshash Chapter 5: The Winds of Time Dry Out the Grass of Oblivion Chapter 6: Between Oblivion and Remembrance III Representation Chapter 7: Reclaimed Names Chapter 8: "Our Camp Grew into a Busy City." The Art of Deportee Artists in Karaganda (late 1930s-early 1960s) Chapter 9: The Endless Time After: Art as a Medium for Understanding Cultural Memory and Trauma in Post-soviet Kazakhstan
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