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Many readers know Stephen King for his early works of horror, from his fiction debut Carrie to his blockbuster novels The Shining, The Stand, and Misery, among others. While he continues to be a best-selling author, King's more recent fiction has not received the kind of critical attention that his books from the 1970s and 1980s enjoyed. Recent novels like Duma Key and 1/22/63 have been marginalized and, arguably, cast aside as anomalies within the author's extensive canon. In Stephen King's Contemporary Classics: Reflections on the Modern Master of Horror, Philip L. Simpson and Patrick…mehr
Many readers know Stephen King for his early works of horror, from his fiction debut Carrie to his blockbuster novels The Shining, The Stand, and Misery, among others. While he continues to be a best-selling author, King's more recent fiction has not received the kind of critical attention that his books from the 1970s and 1980s enjoyed. Recent novels like Duma Key and 1/22/63 have been marginalized and, arguably, cast aside as anomalies within the author's extensive canon. In Stephen King's Contemporary Classics: Reflections on the Modern Master of Horror, Philip L. Simpson and Patrick McAleer present a collection of essays that analyze, assess, and critique King's post-1995 compositions. Purposefully side-stepping studies of earlier work, these essays are arranged into three main parts: the first section examines five King novels published between 2009 and 2013, offering genuinely fresh scholarship on King; the second part looks at the development of King's distinct brand of horror; the third section departs from probing the content of King's writing and instead focuses on King's process. By concentrating on King's most recent writings, this collection offers provocative insights into the author's work, featuring essays on Dr. Sleep, Duma Key, The Girl Who Loved Tom Gordon, Joyland, Under the Dome, and others. As such, Stephen King's Contemporary Classics will appeal to general fans of the author's work as well as scholars of Stephen King and modern literature.
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Autorenporträt
Philip L. Simpson serves as the provost of the Titusville campus of Eastern Florida State College. He is the author ofPsycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction (2000) and Making Murder: The Fiction of Thomas Harris (2010). Patrick McAleer teaches English at Inver Hills Community College in Minnesota and is cochair of the Stephen King Area of the Popular Culture Association's annual national conference. He is the author of Inside the Dark Tower Series (2009) and The Writing Family of Stephen King (2011).
Inhaltsangabe
Introduction Section I: Contemporary "Classics" Chapter 1 "'Ordinary Miracles: Stephen King's Writing (and Painting) a 'Way Back to Life' in Duma Key" Hayley Mitchell Haugen Chapter 2 "Narrative Structure in Under the Dome" Jennifer Miller Chapter 3 "'There's No Place Like Dome': An Assessment of the Adaptation of Stephen King's Under the Dome into a Primetime Drama" Tamara Watkins Chapter 4 "Reading Joyland and Dr. Sleep as Complementary Stories" Clotilde Landais Section II: Modern Horrors Chapter 5 "Failure Is Indeed an Option: Pride, Prophecy, and Roland Deschain's Perpetual Quest for the Dark Tower" Patrick McAleer Chapter 6 "Trisha McFarland and the Tough Tootsie: Coping with Fear in The Girl Who Loved Tom Gordon" Matt Holman Chapter 7 "'Morality': Stephen King's Most Disturbing Story?" Philip L. Simpson Chapter 8 "In Search for the Lost Object in a Bad Place: Stephen King's Contemporary Gothic" Alexandra Reuber Chapter 9 "A Different Breed: Serial Killers in the Works of Stephen King" Rebecca Frost Section III: Stephen King and Writing Chapter 10 "How to Draw a King: Duma Key, a Blues Aesthetic, and the American Artist" Michael Perry Chapter 11 "It Lurks Beneath the Fold: Stephen King, Adaptation, and the Pop-up Text of The Girl Who Loved Tom Gordon" Carl H. Sederholm Chapter 12 "Bachman's 'Found' Novels: The Regulators, Blaze, and Author Identity" Kimberly Beal Chapter 13 "King's Toolbox-for Writing and for Life?" Mika Elovaara Chapter 14 "The Blue Diamond" Steph Post Bibliography Index About the Editors and Contributors
Introduction Section I: Contemporary "Classics" Chapter 1 "'Ordinary Miracles: Stephen King's Writing (and Painting) a 'Way Back to Life' in Duma Key" Hayley Mitchell Haugen Chapter 2 "Narrative Structure in Under the Dome" Jennifer Miller Chapter 3 "'There's No Place Like Dome': An Assessment of the Adaptation of Stephen King's Under the Dome into a Primetime Drama" Tamara Watkins Chapter 4 "Reading Joyland and Dr. Sleep as Complementary Stories" Clotilde Landais Section II: Modern Horrors Chapter 5 "Failure Is Indeed an Option: Pride, Prophecy, and Roland Deschain's Perpetual Quest for the Dark Tower" Patrick McAleer Chapter 6 "Trisha McFarland and the Tough Tootsie: Coping with Fear in The Girl Who Loved Tom Gordon" Matt Holman Chapter 7 "'Morality': Stephen King's Most Disturbing Story?" Philip L. Simpson Chapter 8 "In Search for the Lost Object in a Bad Place: Stephen King's Contemporary Gothic" Alexandra Reuber Chapter 9 "A Different Breed: Serial Killers in the Works of Stephen King" Rebecca Frost Section III: Stephen King and Writing Chapter 10 "How to Draw a King: Duma Key, a Blues Aesthetic, and the American Artist" Michael Perry Chapter 11 "It Lurks Beneath the Fold: Stephen King, Adaptation, and the Pop-up Text of The Girl Who Loved Tom Gordon" Carl H. Sederholm Chapter 12 "Bachman's 'Found' Novels: The Regulators, Blaze, and Author Identity" Kimberly Beal Chapter 13 "King's Toolbox-for Writing and for Life?" Mika Elovaara Chapter 14 "The Blue Diamond" Steph Post Bibliography Index About the Editors and Contributors
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