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The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical…mehr
The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical methods and approaches that engage with sublimity in various aesthetic, agential and metaphysical aspects. The ancient texts - epic, dramatic, historiographic and lyric - treated here are rooted in a remote world where, within a framework of (perceived) celestial order, literature, myth and science still communicated profoundly, a tradition that continued in literary receptions of these ancient works. This volume honours the intellectual legacy of Thomas D. Worthen, a scholar whose expertise and insights cut across multiple disciplines, and who influenced and inspired students and colleagues at the University of Arizona, USA, for over three decades. Beyond clarifying temporally and culturally distant contemplations of the human universe, these essays aim to inform the continuing sense of wonder and horror at the sublime heights and depths of our ever-changing cosmos.
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Autorenporträt
David Christenson is Professor of Classics at the University of Arizona, USA. He is the author of eight books, including Plautus: Casina (Bloomsbury, 2019). Cynthia White is Professor of Classics at the University of Arizona, USA, and is a Fellow of the American Academy in Rome, Italy.
Inhaltsangabe
Contributors Acknowledgments Introduction David Christenson (University of Arizona USA) Part I - Sublime Epic 1. Homer's Odyssey and the Mystery of Time Norman Austin (University of Arizona USA) 2. Helen Paris and the Philosophical Eros: Love Strife and Sublime Contact from Homer to Plato Boris Shoshitaishvili (University of Southern California USA) 3. The Hard-Break at Hesiod Theogony 200 Frank Romer (East Carolina University USA) 4. Visions and Memories of Lucretius in Seneca's Naturales Quaestiones Christopher Trinacty (Oberlin College and Conservatory USA) 5. Vergil's Bougonia Rite: Its Nature Sources and Possible Link to the Indo-European Myth of Creation Michael Teske? (University of Arizona USA) Part II - Celestial Drama 6. An Early Morning Person? Aristophanes and His Star-Studded Comic Prologues Gonda van Steen (King's College London UK) 7. Frighteningly Funny Gods: Comic and Cosmic Space in Plautus David Christenson (University of Arizona USA) Part III - History Historiography and the Cosmos 8. Day Suddenly Became Night: Eclipses and the Sublime in Greek Historiography Philip Waddell (University of Arizona USA) 9. The Cosmic Barrier: The Isthmus of Corinth in Imperial Latin Poetry David Wright (University of Houston USA) Part IV - Reception 10. Reading the Classics in Plague-Ridden England 1629-1722 Thomas Willard (University of Arizona USA) 11. '"Solution Sweet" and Keats's Poetic Ideal: Erotic and Nuptial Imagery in The Eve of St. Agnes' Cynthia White (University of Arizona USA) Notes Bibliography Index
Contributors Acknowledgments Introduction David Christenson (University of Arizona USA) Part I - Sublime Epic 1. Homer's Odyssey and the Mystery of Time Norman Austin (University of Arizona USA) 2. Helen Paris and the Philosophical Eros: Love Strife and Sublime Contact from Homer to Plato Boris Shoshitaishvili (University of Southern California USA) 3. The Hard-Break at Hesiod Theogony 200 Frank Romer (East Carolina University USA) 4. Visions and Memories of Lucretius in Seneca's Naturales Quaestiones Christopher Trinacty (Oberlin College and Conservatory USA) 5. Vergil's Bougonia Rite: Its Nature Sources and Possible Link to the Indo-European Myth of Creation Michael Teske? (University of Arizona USA) Part II - Celestial Drama 6. An Early Morning Person? Aristophanes and His Star-Studded Comic Prologues Gonda van Steen (King's College London UK) 7. Frighteningly Funny Gods: Comic and Cosmic Space in Plautus David Christenson (University of Arizona USA) Part III - History Historiography and the Cosmos 8. Day Suddenly Became Night: Eclipses and the Sublime in Greek Historiography Philip Waddell (University of Arizona USA) 9. The Cosmic Barrier: The Isthmus of Corinth in Imperial Latin Poetry David Wright (University of Houston USA) Part IV - Reception 10. Reading the Classics in Plague-Ridden England 1629-1722 Thomas Willard (University of Arizona USA) 11. '"Solution Sweet" and Keats's Poetic Ideal: Erotic and Nuptial Imagery in The Eve of St. Agnes' Cynthia White (University of Arizona USA) Notes Bibliography Index
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