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Talking Shakespeare focuses on the reciprocal relationship between past and present, the way Shakespeare talks to us, the ways in which we talk about Shakespeare, and the way in which Shakespeare, ultimately, is 'all talk'. Through a variety of approaches to Shakespeare (including Shakespeare in his time, Shakespeare in our time, film, race, history and the future) the book looks at how Shakespeare is 'talked about' in the fields of English Studies, Performance Studies and Cultural Studies.
Talking Shakespeare focuses on the reciprocal relationship between past and present, the way Shakespeare talks to us, the ways in which we talk about Shakespeare, and the way in which Shakespeare, ultimately, is 'all talk'. Through a variety of approaches to Shakespeare (including Shakespeare in his time, Shakespeare in our time, film, race, history and the future) the book looks at how Shakespeare is 'talked about' in the fields of English Studies, Performance Studies and Cultural Studies.
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Autorenporträt
DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester, UK.
Inhaltsangabe
Acknowledgements Introduction; D. Cartmell & M. Scott Talking Shakespeare; M. Scott SHAKESPEARE AND THEORY How Does Hamlet End?; N. Wood Shakespeare and the Elizabethan Stage: Touring Practice in Shakespeare's Day; P.Davison Studying Shakespeare and his Contemporaries; E. Smith Shakespeare and History; D. Cavanagh SHAKESPEARE AND NATIONAL IDENTITY 'Home, Sweet Home': Stratford-upon-Avon and the Making of the RSC as a National Institution; C. Chambers SHAKESPEARE, PERFORMANCE AND BENCHMARKING Twelfth Night: 'One face, one voice, one habit and two persons!'; J. Wardle Shakespeare and the Homoerotic; M. Thompson & I. Whelehan Shakespeare and Race: Othello I.iii; D. Cartmell SHAKESPEARE AND FILM The Unkindest Cuts: Flashcut Excess in Kenneth Branagh's Hamlet; B. W. Kliman Showing versus Telling: Shakespeare's Visual Absences, and the Cinema; G. Egan Shakespeare and the Future; K. Ryan Why We Talk Shakespeare; M. Collins Appendix: Bibliography of Shakespeare on CD ROM and Major Internet Addresses; J. Webb Index.
Acknowledgements Introduction; D. Cartmell & M. Scott Talking Shakespeare; M. Scott SHAKESPEARE AND THEORY How Does Hamlet End?; N. Wood Shakespeare and the Elizabethan Stage: Touring Practice in Shakespeare's Day; P.Davison Studying Shakespeare and his Contemporaries; E. Smith Shakespeare and History; D. Cavanagh SHAKESPEARE AND NATIONAL IDENTITY 'Home, Sweet Home': Stratford-upon-Avon and the Making of the RSC as a National Institution; C. Chambers SHAKESPEARE, PERFORMANCE AND BENCHMARKING Twelfth Night: 'One face, one voice, one habit and two persons!'; J. Wardle Shakespeare and the Homoerotic; M. Thompson & I. Whelehan Shakespeare and Race: Othello I.iii; D. Cartmell SHAKESPEARE AND FILM The Unkindest Cuts: Flashcut Excess in Kenneth Branagh's Hamlet; B. W. Kliman Showing versus Telling: Shakespeare's Visual Absences, and the Cinema; G. Egan Shakespeare and the Future; K. Ryan Why We Talk Shakespeare; M. Collins Appendix: Bibliography of Shakespeare on CD ROM and Major Internet Addresses; J. Webb Index.
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