Christopher Marlowe

Tamburlaine the Great (eBook, ePUB)

Parts I & II

• Format: ePub

Produktbeschreibung

This dramatic and influential play by Christopher Marlowe thrusts readers into the ambitious rise of a shepherd to a powerful warlord in the 14th century.

This two-part play is renowned for its poetic grandeur and the depiction of its ruthless yet charismatic protagonist, Tamburlaine. Marlowe, a contemporary of Shakespeare, revolutionized Elizabethan drama with his use of blank verse and complex characters. Set against the vast backdrop of the Middle Eastern and Central Asian empires, the narrative explores themes of power, ambition, and the human cost of relentless conquest.

Marlowe's Tamburlaine is not just a conqueror but also a poet and a visionary, embodying the Renaissance fascination with the 'overreacher' who challenges the heavens. This work is pivotal in the development of English drama, marking a departure from medieval morality plays to a more secular and humanistic approach, encapsulating the transformative spirit of the Elizabethan age.

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Produktdetails

• Verlag: Left of Brain Books
• Seitenzahl: 226
• Erscheinungstermin: 9. Februar 2024
• Englisch
• ISBN-13: 9781396324697
• Artikelnr.: 70033974

Autorenporträt

Dramatist, son of a shoemaker at Canterbury, where he was born, was educated at the King's School there, and in 1581 went to Benet's (now Corpus Christi) College, Cambridge, where he graduated B.A. 1583, and M.A. in 1587. Marlowe shunned a life as a clergyman which university wits like himself were expected to follow, and moved to London to pursue the insecure craft of a playwright. Among his early plays were 'Tamburlaine the Great' and 'The Famous Tragedy of the Rich Jew of Malta', all well-received by Elizabethan audiences and displaying an impressive poetic talent that was bold enough to use high-quality blank verse for the first time in English theatre. He collaborated with friend and literary colleague, William Shakespeare, on 'Henry VI' and 'Titus Andronicus' and his influence on Shakespeare is seen in the latter's restrained use of rhyme in 'Richard III'. Traditional rhyme was eschewed by Marlowe in preference for blank verse, over which he acquired a constantly increasing mastery.