Brivic shows how one novel leads ineluctably to the next and how the four works in a sense form one continuous narrative: with Faulkner's attack on the racial system in Absalom, Absalom! in the 1930s, a literary space opened for Wright's devastating novel of protest. Through the character of Bigger Thomas, Wright's Native Son exposes a virtually incurable division in American ideologies, which leads to the multiplying perspectives of postmodernism in Pynchon's V. Arriving at the crest of the civil rights movement, V. questions Western systems of control, laying a foundation for a world outside the white one, and so providing a basis for the African view of reality presented in Morrison's Beloved.
The emergence of African consciousness in American literature exemplified across these works has had, and continues to have, Brivic concludes, the potential not only to redress ongoing injustices but to bring about a new conception of the American universe and its laws of reality.
Striking in both the selection of novels and the connections Brivic draws among them, Tears of Rage advances understanding of the destructive nature of racism and the possibilities for overcoming its effects through literature.
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