This book examines two influential responses to this question: the German bourgeois ideal of the late nineteenth century and the mid-twentieth century American celebration of the middle class. In each period, the exploration is guided by a close reading of a contemporary and retrospective text. For Germany, Gustav Freytag's novel Debt and Credit (1855) is read against Thomas Mann's Buddenbrooks (1901), and, for the US, the domestic comedy Father Knows Best (1954-1960) is read against the cable television drama Mad Men (2007-2015). The Anxiety of Ascent casts Weber's narrative in a more optimistic light, pointing towards the redemptive possibilities contained within everyday life. As such, it will appeal to sociologists and cultural studies scholars interested in cultural sociology, social theory, morality, meaning and the culture of middle-class life.
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