Through highly specific, almost clinical observation, the work allows emotion to surface implicitly. It uses detailed physical description, cognitive drift, and an uneven cadence to simulate the rhythm of genuine human thought and resistance. Each chapter is a sustained meditation on a single, minor error-a cracked pane, a faulty hinge, a peeling poster-using these failures to confront a deeper internal truth: that the city's chaos may simply reflect the mind's own refusal to maintain balance. This is a nonfiction study in perception, memory, and the necessary, beautiful imperfections of decay.
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