In this 1978 collection Hugh Fleetwood gives a name to a theme running through his fictional oeuvreand the fates of his characters: that 'innocence' must as soon as possible be supplanted by awareness of the human capacity for horror, so that Beauty and the Beast are reconciled in our consciousness.
'Fleetwood can write like a dream... and really get into your head. He reaches down and stirs with venomous delight the nameless, faceless things swimming far below the level of consciousness.' Scotsman
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